Cinema Technology Aug. 16, 2022
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GDC Technology is a leading manufacturer and provider of cinema equipment and solutions including cinema automation systems, cinema servers, cinema enterprise software, cinema storage, cinema audio solutions, and cinema projectors that meet the highly demanding performance, security and reliability requirements established by motion picture studios.




Strong Cinema, a segment of Ballantyne Strong, Inc., consists of:

Strong Technical Services (STS) that offers a comprehensive suite of cinema-focused services, including installation, maintenance, and technical support, to exhibitors throughout the United States.

Strong/MDI Screen Systems Inc. one of the world's leading cinema screen manufacturers that produces and sells specialty screens, screen support structures, and other film exhibition equipment for customers globally.  


welcome to Cinionic
welcome to wow

These days, it’s no longer just about technology, it’s about experiences – WOW experiences. We are a team of cinema and technology experts from around the globe – Barco, ALPD, and CGS – who help you in creating surprising experiences.  We combine innovative cinema technologies with our unique and comprehensive service models to guarantee your peace of mind. So you can focus on new ways to surprise and delight your customers for years to come. Together, we engage to deliver a world-class cinema experience - the one you’ve been waiting for.


QSC is the global leader in cinema signal processing, power amplifiers, and loudspeakers for all applications within today's modern cinema entertainment center. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.


USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.


SHARP NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of SHARP NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. SHARP NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.


Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.
Industry Partners


The Union Internationale des Cinémas/International Union of Cinemas (UNIC) represents the interests of cinema trade associations and cinema operators covering 37 countries in Europe and neighboring regions.​ ​


For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. 


The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.


The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
 


The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema. 
Shows & Events


CineAsia 2022 has been scheduled for Dec 5-8, 2022 in Bangkok.  Check links for more information.  The CineAsia trade show is where cinema exhibition and distribution professional come to do business and network. The convention will also feature product presentations and screenings of major upcoming films, exclusive sponsored events, and seminars relating to current and future trends happening across the industry.  Additional information on CineAsia can be found at www.cineasia.com.


ShowEast 2022 scheduled to be held in Miami from Oct 17-20, 2022 at Fontainebleau Miami Beach, features a range of exclusive product presentations and screenings from both Independent and Major Hollywood studios to help you make important programming decisions for the 4th quarter box office.  Powerhouse seminars offer valuable insight from top executives on the latest industry trends and concerns; while our EXPO experience offers delegates a glance at the latest and best technologies, entertainment, services, comforts, and conveniences to make their theatres must-attend destinations.  ShowEast’s International program draws a large contingency of Latin and South American delegates – more than any other convention of its kind. A one and a half day program dedicated to the latest content and concerns and within this rising region.


CinemaCon 2022 has been scheduled for April 25 - 28, 2022 at Caesars Palace in Las Vegas.  Check the links below for the latest information. 


CineEurope 2022, has been scheduled for June 20-23, 2022 in Barcelona.  CineEurope promises to bring you another year with the very best in exclusive studio screenings and product presentations, cinematic technologies and innovations and educational seminars to keep your business on top of industry trends.
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London, UK—Sep 24, 2009

AAM Announces Commercial Phase of Digital Cinema Network Software

Arts Alliance Media (AAM) today announced that its Digital Cinema Network Software (DCNS) is ready for commercial deployment. The software suite, designed to efficiently manage the deployment and operation of digital cinema projection systems, will be showcased at the Fédération Nationale des Cinémas Français Congress (FNCF) in Deauville, France, from 28th September to 1st October, 2009. The software, built by AAM’s in-house development team, has been trialled over the past 6 months at selected sites of various major exhibitors around the world.
 
From the control and tracking of hardware and software across a circuit, central control of content and playout of each screen, circuit wide management reporting of playout logs and KDM activity, through to fault monitoring and Virtual Print Fee (VPF) calculation and reporting, the AAM DCNS provides everything an exhibitor needs to run a digital circuit, no matter how large or small.
 
The AAM Digital Cinema Network Software is an open, modular system and manufacturer agnostic. The software suite is available to exhibitors as a complete package, or as individual components, all of which are designed to interface seamlessly with other systems in the complex, such as point of sale or advertising delivery software.
 
Matt Sullivan, AAM’s Vice President of Technical Development, commented “AAM is extremely focused on delivering smart connective software that is vital to exhibitors running their digital screens as an efficient and integrated network. Our years of experience and the great feedback from the exhibitors who have been trialling our system means that our software suite now provides the best functionality and support to service their circuits. DCNS is designed to make the exhibitors’ life as easy as possible.”
 
 “We are delighted to commercially launch our software technology into the marketplace, and believe that this is a solution that will help any exhibitor realise the full potential of digital cinema”, said Howard Kiedaisch, AAM’s Chief Executive Officer, adding that “This software suite is the perfect complement to our existing digital cinema offering, from our VPF and equipment services through to our satellite delivery capability. AAM now has the ability to truly service the end-to-end digital cinema process.”
 
Some of the key features of the AAM DCNS are:
 
Hardware and software asset management
·         Tracks the location of digital cinema projectors and servers, as well as their configuration, software and firmware versions, upgrades and repairs. 
·         The software can also retrieve much of this information remotely from each installed digital cinema system (for example: serial number and software versions), providing real-time synchronisation of the asset database with assets in the cinemas, without the need for manual intervention.
 
Monitoring
·         Robust monitoring solution, tailored to digital cinema operations, which provides real-time fault and error reporting of equipment and software in the field. This powers the backbone of a digital cinema Network Operations Centre (NOC), meaning that AAM can detect and often proactively repair any faults without interference in the cinema’s schedule.
 
Theatre Management System
·         Web-based solution that centrally manages content movement, scheduling and playout within a complex. 
·         Application is interoperable; works with different servers from multiple suppliers within a complex, and can be accessed anywhere within a cinema site, or remotely if necessary.  AAM TMS is an open platform, which allows third parties to easily construct additional services.
 
Circuit-wide Management & Reporting
·         Back office package of centralised services operates across an exhibitor’s entire circuit in real-time. 
·         Gathers playout logs from every screen in a circuit, as well as archiving and analysis from a single location. 
·         Enables playlists to be created and distributed direct to digital cinema projection servers.
·         Security key (KDM) management; KDM expiry reporting and distribution of keys from a central location.
·         Allows exhibitor to collate and distribute feature films, advertising and trailers and monitor real-time screen activity, including current playout status of each screen.


VPF reporting
·         Full range of software to manage the reporting and reconciliation of VPF data.
·         Includes full playout and booking reporting as well as CPL tracking services.
 
To talk to us about the DCNS Software, or to arrange a demo at the FNCF, please contact us at networksoftware@artsalliancemedia.com
Arts Alliance Media Web Site
About Arts Alliance Media:
Arts Alliance Media (AAM) is the global leader in digital cinema software and services. AAM offers a wide range of solutions to exhibitors which enable them to reduce costs, increase efficiency, and improve the cinematic experience for their customers.  

AAM software touches over 42,000 digital screens globally, while their network operations centre (NOC) supports several thousand screens. 

AAM is part of the Luxin-Rio Group, the world’s foremost cinema technologies provider, alongside Volfoni, a global leader in 3D technology.
 Arts Alliance Media Directory page
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Jun 20, 2019 Christie Signs Major Global Reseller Agreement with Arts Alliance Media
Christie Logo
Christie officially announced a worldwide* reseller agreement with Arts Alliance Media (AAM), the global leader in digital cinema software and services. The agreement will see Christie offering AAM’s full range of integrated theatre management software and services to its wide-reaching exhibitor base, and further strengthen Christie’s position as the pre-eminent cinema solutions and expertise provider.
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