Cinema Technology Mar. 22, 2023
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These days, it’s no longer just about technology, it’s about experiences – WOW experiences. We are a team of cinema and technology experts from around the globe – Barco, ALPD, and CGS – who help you in creating surprising experiences.  We combine innovative cinema technologies with our unique and comprehensive service models to guarantee your peace of mind. So you can focus on new ways to surprise and delight your customers for years to come. Together, we engage to deliver a world-class cinema experience - the one you’ve been waiting for.





Arts Alliance Media (AAM) is the global leader in digital cinema software and services, offering a wide range of solutions which help exhibitors to reduce costs, increase efficiency, and improve the cinematic experience for their customers.

AAM’s extensive portfolio, including Producer, Screenwriter, Lifeguard, MX4D, and HeyLED, touches over 42,000 screens worldwide, while their network operations centre (NOC) supports several thousand screens.
 
AAM is part of the Luxin-Rio Group, the world’s foremost cinema technologies provider.




Strong Cinema, a segment of Ballantyne Strong, Inc., consists of:

Strong Technical Services, that offers a comprehensive suite of cinema-focused services, including installation, maintenance, and technical support, to exhibitors throughout the United States.

Strong MDI, one of the world's leading cinema screen manufacturers that produces and sells specialty screens, screen support structures, and other film exhibition equipment for customers globally.  





QSC is the global leader in cinema signal processing, power amplifiers, and loudspeakers for all applications within today's modern cinema entertainment center. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.



GDC Technology is a leading manufacturer and provider of cinema equipment and solutions including cinema automation systems, cinema servers, cinema enterprise software, cinema storage, cinema audio solutions, and cinema projectors that meet the highly demanding performance, security and reliability requirements established by motion picture studios.





USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.



SHARP NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of SHARP NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. SHARP NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.



Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.

Industry Partners



The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema. 



The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.



For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. 



The Union Internationale des Cinémas/International Union of Cinemas (UNIC) represents the interests of cinema trade associations and cinema operators covering 37 countries in Europe and neighboring regions.​ ​





The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
 


Shows & Events



CineEurope 2022, has been scheduled for June 20-23, 2022 in Barcelona.  CineEurope promises to bring you another year with the very best in exclusive studio screenings and product presentations, cinematic technologies and innovations and educational seminars to keep your business on top of industry trends.



CinemaCon 2023 has been scheduled for 24-27 April 2023 at Caesars Palace in Las Vegas.  Check the links below for the latest information. 




ShowEast 2022 scheduled to be held in Miami from Oct 17-20, 2022 at Fontainebleau Miami Beach, features a range of exclusive product presentations and screenings from both Independent and Major Hollywood studios to help you make important programming decisions for the 4th quarter box office.  Powerhouse seminars offer valuable insight from top executives on the latest industry trends and concerns; while our EXPO experience offers delegates a glance at the latest and best technologies, entertainment, services, comforts, and conveniences to make their theatres must-attend destinations.  ShowEast’s International program draws a large contingency of Latin and South American delegates – more than any other convention of its kind. A one and a half day program dedicated to the latest content and concerns and within this rising region.



CineAsia 2022 has been scheduled for Dec 5-8, 2022 in Bangkok.  Check links for more information.  The CineAsia trade show is where cinema exhibition and distribution professional come to do business and network. The convention will also feature product presentations and screenings of major upcoming films, exclusive sponsored events, and seminars relating to current and future trends happening across the industry.  Additional information on CineAsia can be found at www.cineasia.com.


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Germering, Germany—Aug 25, 2011

3D Post Production: Kinoton DCS Digital Cinema Solution Sets the Stage for Color Grading

Hamburg-based Optical Art, one of Germany's leading postproduction facilities, has chosen to enhance its color grading suite with a Kinoton DCS Digital Cinema Solution. This system consists of a DCP 30 SX II Digital Cinema Projector manufactured by Kinoton and based on projection technology provided by Barco, plus a RealD 3D Post Production Kit.

Color grading is an important step in the creative process of film making. Colorists digitally alter and enhance a motion picture’s colors until they have exactly the look and feel that the filmmaker has in mind. Advanced 1.2’’ 2K DLP Cinema® Series II technology from Texas Instruments makes sure that the DCP 30 SX II projector delivers a calibrated, consistent digital image that meets all DCI specifications, including those on contrast ratio, color accuracy, and color uniformity. The projector displays the colors on the grading suite's 65-square-foot silver screen exactly as audiences around the world will later see them – the colorists and their clients can thus evaluate the corrections under realistic cinema conditions.

The DCP 30 SX II projector also includes a postproduction version of the D-Cine Communicator software. This valuable tool gives colorists full control over how the projector reproduces colors and lets them edit the look-up tables (LUTs) for color, gamma, and 3D. The software also has a PCF editor for changing the Projector Configuration Files (PCFs) that come with the Digital Cinema Package (DCP) and creating new ones. The PCFs contain all of the projector settings that are required to display the movie as defined by the movie distributor, such as color space, gamma value and source aspect ratio.

Color grading for 3D movies differs from 2D grading. It involves adjusting the lower limit of projection brightness, eliminating image ghosting, and compensating for slight color changes caused by the 3D glasses. The Kinoton DCS solution therefore features a special RealD 3D system that includes a postproduction control module with a realtime ghostbusting circuit. It also helps colorists balance the right-eye/left-eye color of live action 3D movies.  This is necessary in order to offset small variations in color and brightness caused by slight differences between the lenses, mirrors, and CCD sensors of the two cameras used to shoot 3D motion pictures. Perfect matching of the right-eye and left-eye pictures results in sharper and clearer 3D images for an ideal cinematic experience.


About Kinoton Digital Solutions: Kinoton Digital Solutions is a globally active enterprise specializing in sales and distribution of professional audiovisual technologies, system integration, and provision of a full range of services for cinemas, postproduction companies, and customer-specific projects. Headquartered in Germering near Munich, Germany, Kinoton Digital Solutions ranks among Europe’s largest providers of complete cinema solutions. Kinoton Digital Solutions offers professional project and audio solutions that live up to the highest expectations. Many years’ experience in planning, project management, and installation, backed by the comprehensive Kinoton Cine Perfect service and support concept, guarantee flawless digital cinema. An international sales and service network and a state-of-the-art Network Operation Center (NOC) ensure a strong customer focus and reliable support. Kinoton Digital Solutions Directory page

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More Kinoton Digital Solutions News:
Oct 22, 2015 Cinedom in Cologne Premieres 6P/4K Laser Projection Technology with Immersive Dolby-Atmos® Sound System
Jul 2, 2014 Kinoton Digital Solutions Is Kicking Off—The Kinoton Brand Lives On
Nov 29, 2013 Germany’s Largest Film Palace: Kinoton Equips Lichtburg in Essen
Oct 31, 2013 23rd Cottbus Film Festival: Kinoton Once Again Official Partner
Oct 24, 2013 Egyptian Cinemas Digitizing with Kinoton
Jun 18, 2013 Pakistan Goes Digital with Kinoton: Centaurus Cineplex Opens in Islamabad
Apr 11, 2013 Eye Cinema in Galway, Ireland: Now Fully Digital with Kinoton
Mar 28, 2013 Small But Fine: Kinoton D-Cinema Solutions in Three Austrian Theatres
Mar 11, 2013 Pure Listening Enjoying in the Cologne Cinedom: Kinoton Installs High-End Sound Systems
Feb 27, 2013 Perfect Berlinale 2013 with Kinoton
Jan 28, 2013 Kinoton an Official Partner of the 2013 Berlinale
Jan 16, 2013 Kinoton Installs Dolby Atmos in Backnang Traumpalast
Jan 9, 2013 The Cinedom in Cologne: XXL 3D Cinema with 4K Dual Projection from Kinoton
Dec 17, 2012 Real Cinematic Sound: Kinoton Installs Modern Audio System in the new Gloria Palast Cinema in Munich
Nov 16, 2012 New Traumpalast Cinema Opens in Backnang with Full Range of Kinoton Equipment
Oct 16, 2012 100% Independent and 100% Digital with Kinoton
Aug 7, 2012 Welcome to the Digital Age After 99 Years: the Metropol in Chemnitz Installs A Kinoton DCS
Jul 3, 2012 Cinema Paris in Berlin: Historic Movie Theatre Goes Digital with Kinoton
Jun 14, 2012 Kinoton 4K D-Cinema Solutions Surging in Popularity
Mar 2, 2012 2012 Berlinale: Kinoton Ensures Perfect Digital Cinema
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