Cinema Technology Mar. 31, 2023
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GDC Technology is a leading manufacturer and provider of cinema equipment and solutions including cinema automation systems, cinema servers, cinema enterprise software, cinema storage, cinema audio solutions, and cinema projectors that meet the highly demanding performance, security and reliability requirements established by motion picture studios.





Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.



SHARP NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of SHARP NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. SHARP NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.



welcome to Cinionic
welcome to wow

These days, it’s no longer just about technology, it’s about experiences – WOW experiences. We are a team of cinema and technology experts from around the globe – Barco, ALPD, and CGS – who help you in creating surprising experiences.  We combine innovative cinema technologies with our unique and comprehensive service models to guarantee your peace of mind. So you can focus on new ways to surprise and delight your customers for years to come. Together, we engage to deliver a world-class cinema experience - the one you’ve been waiting for.





Arts Alliance Media (AAM) is the global leader in digital cinema software and services, offering a wide range of solutions which help exhibitors to reduce costs, increase efficiency, and improve the cinematic experience for their customers.

AAM’s extensive portfolio, including Producer, Screenwriter, Lifeguard, MX4D, and HeyLED, touches over 42,000 screens worldwide, while their network operations centre (NOC) supports several thousand screens.
 
AAM is part of the Luxin-Rio Group, the world’s foremost cinema technologies provider.




USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.



Introducing the LG Miraclass, the DCI-certified cinema LED screen that will revolutionize the way you experience movies. This is more than just a technology upgrade, it's an opportunity to transform your theater into a space for imagination, creativity, and community. Join us on this journey into a new world of cinema, where the theater becomes a destination beyond entertainment.


Industry Partners



The Union Internationale des Cinémas/International Union of Cinemas (UNIC) represents the interests of cinema trade associations and cinema operators covering 37 countries in Europe and neighboring regions.​ ​





The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema. 



For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. 



The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.



The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
 


Shows & Events



CineAsia 2022 has been scheduled for Dec 5-8, 2022 in Bangkok.  Check links for more information.  The CineAsia trade show is where cinema exhibition and distribution professional come to do business and network. The convention will also feature product presentations and screenings of major upcoming films, exclusive sponsored events, and seminars relating to current and future trends happening across the industry.  Additional information on CineAsia can be found at www.cineasia.com.



CinemaCon 2023 has been scheduled for 24-27 April 2023 at Caesars Palace in Las Vegas.  Check the links below for the latest information. 




ShowEast 2022 scheduled to be held in Miami from Oct 17-20, 2022 at Fontainebleau Miami Beach, features a range of exclusive product presentations and screenings from both Independent and Major Hollywood studios to help you make important programming decisions for the 4th quarter box office.  Powerhouse seminars offer valuable insight from top executives on the latest industry trends and concerns; while our EXPO experience offers delegates a glance at the latest and best technologies, entertainment, services, comforts, and conveniences to make their theatres must-attend destinations.  ShowEast’s International program draws a large contingency of Latin and South American delegates – more than any other convention of its kind. A one and a half day program dedicated to the latest content and concerns and within this rising region.



CineEurope 2022, has been scheduled for June 20-23, 2022 in Barcelona.  CineEurope promises to bring you another year with the very best in exclusive studio screenings and product presentations, cinematic technologies and innovations and educational seminars to keep your business on top of industry trends.


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Hollywood, CA—Jul 27, 2005

DIGITAL CINEMA INITIATIVES (DCI) ANNOUNCES FINAL OVERALL SYSTEM REQUIREMENTS AND SPECIFICATIONS FOR DIGITAL CINEMA

Agreement Gives Manufacturers of Digital Projectors and Theater Equipment One Universal Standard in Creating the Next Generation of Cinemas
Digital Cinema Initiatives, LLC (DCI) has completed the final overall system requirements and specifications to help theatrical projector and equipment manufacturers create uniform and compatible digital cinema equipment throughout the United States, it was announced today by Walt Ordway, Chief Technology Officer, Digital Cinema Initiatives.

"After three years of careful planning, discussion and reaching out to all the various constituencies who make up our industry, DCI member studios are pleased to have reached unanimous agreement on the necessary overall system requirements and specifications for digital cinema," said Ordway. "We now have a unified specification that will allow manufacturers to create products that will be employable at movie theatres throughout the country and, it is hoped, throughout the world. In fact, the specification is being translated for international markets."

"These specifications should provide a common ground to spur innovation and encourage many more players who were previously resistant to invest capital in technology that may or may not have been viable," said Ordway. "And as the market gets more competitive, the price of the equipment and its installation - previously thought to be a major barrier to digital cinema - will become increasingly affordable, to the point where that stumbling block should no longer be of consequence."

DCI member studios and industry leaders hailed this long-awaited development, which will be applicable to both 2K and 4K resolutions.

"Twentieth Century Fox will release all of its theatrical feature film digital content in full compliance with the DCI specification," Bruce Snyder, President Domestic Distribution, and Paul Hanneman, Executive Vice President Sales and Strategic Planning Twentieth Century Fox International, said in a joint statement. "For the industry to flourish and to provide a smooth transition to an all digital future, it is essential there be one digital distribution and exhibition format. That format is the DCI specification."

"With this essential specification now in place, Warner Bros. now plans that by the end of 2005 we will be releasing our movies in two formats: 35mm film and DCI digital cinema," said Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures. "Having the DCI spec in place is a big step forward in the global distribution of digital films. We look to this standard to be used in our International releases," said Veronika Kwan-Rubinek, President, Distribution, Warner Bros. Pictures International.

"Sony Pictures completely supports the work done by DCI on the digital cinema technical specifications. We look forward to releasing our feature films digitally to cinemas deploying digital cinema systems compliant with the DCI specifications worldwide," said Jeff Blake, Vice Chairman, Sony Pictures Entertainment and President, Columbia TriStar Motion Picture Group, Worldwide Marketing and Distribution.

"The DCI specification represents the right level of quality to ensure that the digital cinema experience remains the ideal way for moviegoers to enjoy films well into the future. We look forward to delivering our films into the DCI digital cinemas in the US and around the world," said Chuck Viane, President of Buena Vista Pictures Distribution, and Mark Zoradi, President of Buena Vista International.

"Paramount embraces the DCI specification for the theatrical exhibition of digital cinema and we look forward to releasing our films in compliance with this standard of distribution," said Wayne Lewellen, President, Distribution for Paramount Pictures. "Exhibition and, most importantly, the movie-going audience are greatly benefited by the work done by DCI and its resulting specification."

"Universal Pictures is pleased that a unified format has come to fruition as this will allow both moviegoers and studios to enjoy the benefits of the digital cinema experience," added Nikki Rocco, President, Distribution for Universal Pictures. "DCI has worked tirelessly to create an approved uniform standard that will provide our industry a level of satisfaction regarding how films are being shown in the digital format."

John Fithian, President of the National Organization of Theater Owners (NATO), stated, "This spec, created over the past three years by DCI with input from exhibitors and vendors, is an important step toward making digital cinema a reality. With this piece now in place, we look forward to working with all the involved parties to achieve our mutual goal - bringing the best possible moviegoing experience to the consumer."

"The ASC is proud to have collaborated with DCI during the development of a final specification for digital cinema," said Richard Crudo, President of The American Society of Cinematographers. "With the future hard upon us, part of that effort involved creation of the StEM (Standard Evaluation Material) film. Besides marking a great milestone in our traditional role as 'guardians of the image,' it also recalled one of the main reasons that led to the start of our organization in 1919. And though the industry may not yet realize what debt they owe this achievement, its significance will be plain to anyone who views a motion picture for many, many years to come."

"This is an important milestone in the advancement of the theatrical motion picture," commented Frank Pierson, Academy of Motion Picture Arts and Sciences president. "In its first hundred years our art form made a forceful universal impression, at least partly because worldwide standards for projecting film were adopted early on. The next hundred years are likely to be similarly affected by DCI's work in defining how digital motion pictures will be presented to world audiences."

Said Jim Cameron and Jon Landau, "All of us at Lightstorm Entertainment are thrilled that DCI has finalized their digital cinema standards. We believe this now opens the door for the roll out of digital cinema, which will revolutionize the cinematic experience for moviegoers around the world. We look forward to presenting our next feature film in 3D Stereo at DCI compliant theaters."

George Lucas and Rick McCallum said, "It's a giant leap forward for those of us who create movies and, perhaps more importantly, for everyone who sees them. We have been advocates of digital cinema for nearly a decade, and this is a day we have long hoped would come. Digital cinema will increasingly become the standard and will change the way movies are made, seen and experienced around the world."

"Standardized digital theater equipment is as significant to motion picture exhibition as DVD was for the home video industry," said John Lasseter, Executive Vice President, Pixar Animation Studios. Mr. Lasseter directed Toy Story 2, the first film in motion picture history to be entirely created, mastered and exhibited digitally. "Even the best film presentation starts to wear out after a few weeks, but with digital cinema the last screening is as pristine as the first. DCI's new universal standard will enable audiences to see Pixar's digitally rendered films with the same consistency of color, detail, and resolution the world over."

"Hallelujah - It's about time!" commented Robert Zemeckis.

"This is a great day for digital cinema with the completion of the DCI Specification. I am looking forward to releasing my films in a manner that reflects my creative intent," added Robert Rodriguez.

Internationally, the announcement was greeted with equal support. The UK National Film Trust released the following statement: "The completion of the DCI specification is a major milestone for all digital cinema efforts around the world. The NFT's Digital Test Bed (UK) supports and will continue playing an active role in the efforts to see the specification turned into standards that will help make high-end digital cinema a large scale reality in the UK, Europe and in the rest of the world."

"We congratulate DCI in the completion of the digital cinema specifications. This is a significant milestone in the digital cinema development worldwide as it brings us a big step closer to realizing the true benefits of digital cinema. IDA is happy to support DCI's specifications as Singapore can contribute as the Digital Exchange hub to better manage and distribute content digitally," said Mr. KHOONG Hock Yun, Assistant Chief Executive, Industry, Infocomm Development Authority of Singapore (IDA).

International exhibitors also expressed their enthusiasm for this crucial turning point in the implementation of digital cinema worldwide.

"We acknowledge DCI's tremendous work on gathering inputs from the whole industry and now releasing its Digital Cinema Technical Specification," said Laura Fumagalli, exhibitor of the Arcadia Cinema in Milan. "By introducing Digital Cinema equipment compliant to DCI's Specification, Arcadia continues its commitment to offer Italian patrons the best theatrical movie experience."

"The movie-going experience is a special one, but in order to continue drawing large audiences, theatres must outpace competing media," said Charles S. Swartz, executive director/CEO of the Entertainment Technology Center at USC. "DCI's digital cinema specifications not only set the stage for higher quality theatrical presentation, they also help insure the global nature of cinema exhibition for films and countries, large and small. The Entertainment Technology Center at USC is proud to have played a part in DCI's landmark work."

Ordway concluded "We have finally reached a consensus that all of our various constituencies can not only live with, but should also embrace. Studios, exhibitors, and most important of all, the audiences who love movies will now be able to enjoy all the benefits and possibilities that digital cinema offers.


About Digital Cinema Initiatives, LLC: Digital Cinema Initiatives, LLC (DCI) was created in March 2002, and is a joint venture of Disney, Fox, Paramount, Sony Pictures, Universal and Warner Bros. The primary purpose of DCI is to establish and document specifications for an open architecture for digital cinema that ensures a uniform and high level of technical performance, interoperability, reliability and quality. See www.dcimovies.com for more information. Digital Cinema Initiatives, LLC Directory page

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More Digital Cinema Initiatives News:
Jan 10, 2012 Digital Cinema Initiatives, LLC, Signs Additional Licensing Agreement for Compliance Testing
Nov 28, 2011 Christie CP4220 and CP4230 Projectors Earn DCI Compliance
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Christie®, a global leader in visual display technology, is pleased to announce that its Solaria™ Series 2 CP4230 and CP4220 projectors have obtained Digital Cinema Initiatives, LLC (DCI) certification following compliance testing by CineCert, LLC.

Oct 13, 2008 Digital Cinema Initiatives, LLC Signs Licensing Agreements for Compliance Testing
Oct 17, 2007 DCI Announces Completion of its Compliance Test Plan for Digital Cinema Validation and Compliance Testing
Sep 11, 2006 Digital Cinema Initiatives (DCI) Announces Compliance Testing Process for Digital Projectors and Theater Equipment
Feb 21, 2006 Digital Cinema Initiatives (DCI) Announces Collaboration With Fraunhofer Institute to Develop Digital Cinema System Compliance Test Procedures

Sep 8, 2004 DCI Announces Completion of Overall System Requirements and Specifications for Digital Cinema; Member Studios Unanimously Agree to Extended Term
Mar 19, 2004 DCI Announces Completion and Availability of “StEM Mini-Movie” for Digital Cinema Testing
Nov 12, 2003 DCI Member Studios Unanimously Approve Pursuit of Delivery System Architecture for Digital Cinema to Accommodate Both 4K and 2K Projectors
Sep 5, 2003 ASC And DCI Creating Digital Cinema Test Film
Dec 1, 2002 Entertainment Technology Center Named Official Testing Site By Digital Cinema Initiatives
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