Cinema Technology Oct. 15, 2018
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Sponsors



NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.



Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.



Sony Digital Cinema 4K gives audiences an entertainment experience they’ll never forget in 2D or 3D. There’s a complete family of Sony 4K projection systems to suit every cinema operator, from small boutique screens to the largest multiplex. All our easy-to-use projectors deliver 4K resolution images that viewers love, bursting with rich colour and industry-leading 8000:1 average contrast ratio. Sony’s SRX-R500 series of projectors are also HDR-ready, meeting brightness and contrast requirements for screening the latest 4K movies mastered for High Dynamic Range presentation. Spectacular 4K images are matched by impressively low running costs. The long-lasting HPM multi-lamp array in all our SRX-R500 Series projectors is more energy efficient than traditional Xenon lamps, reducing routine maintenance and cutting the risk of revenue-threatening dark screens. A compelling choice for the big screens, our Premium Large Format (PLF) projection solution outshines costly first generation laser systems, with unrivalled 4K picture quality at light levels up to 60,000 lumens.

 





Cielo is true proactive monitoring and support. Customers can access Cielo from any device connected to the internet, giving them the freedom to manage the customer experience outside the confines of their offices. Customers have circuit wide visibility into their theater operations so they are able to solve problems more efficiently.



Bardan Cinema has been a leader in cinema equipment sales in Latin America and the Caribbean for over 40 years. With a well-established reputation and broad customer base that spans independent boutique theaters to large multiplexes, Bardan provides total solutions and services ranging from cinema design, equipment sales, installation, monitoring and VPF implementation. In collaboration with D-Cinema NOC, Bardan now offers comprehensive 24/7/365 proactive monitoring and remote support to exhibitors throughout the region.



Moving Image Technologies manufacturers and markets a full complement of cinema exhibition equipment and services to support the industry’s transition to digital cinema, including: custom engineering, systems design, integration, digital technology solutions for 3D, digital cinema, pre-feature on-screen advertising and components. Moving Image Technologies’ mission is to have the most talented, passionate people in cinema working to provide the best presentation tools for the cinema exhibition industry.



Unique X, Based in the UK, is a new brand for the future of digital cinema, providing intelligent autonomous solutions and content services.  Unique X operates in 65 countries globally. To date, more than 70 million GB of data have been transferred, and over 60 million advertising playlists have been delivered. Solutions include RosettaBridge TMS, RosettaNet Estate Management System, Movie Transit (DCP Content Delivery Network), Basekey (KDM management), RosettaPOS (Point of Sale), RosettaLive (Event Streaming) and our pre-show products of Advertising Accord, Ad Transit and Smart Trailering.



Cinionic is transforming cinema, providing comprehensive WOW entertainment solutions to movie exhibitors across the globe. We help turn imagination into reality and ensure peace of mind for our customers by offering innovative services and flexible use of capital for a new era. Combining the technology expertise and heritage of our partners, Cinionic powers exceptional experiences across the entire theater to engage visitors at multiple touchpoints in their cinema journey. 



GDC Technology Limited is a digital cinema solutions provider. GDC Technology develops, manufactures and sells digital cinema servers, content storage systems, theatre management systems and network operations center software for digital cinema. In addition, GDC is the appointed worldwide certification services agent, with exclusivity in Asia to certify DTS:X immersive sound auditoriums for DTS, Inc. GDC also provides a suite of digital cinema products and services, including integrated projection systems, 3D products, projector lamps and silver screens. GDC's subsidiary, GDC Digital Cinema Network Limited, manages VPF for approximately 5,000 theater screens and 250 motion picture distributors worldwide.



Qube Cinema is committed to creating a seamless world of Digital Cinema with products that are innovative, powerful, reliable and cost-effective. Qube Cinema is a company with a passion for cinema and a thorough understanding of film, video, audio and computer technology along with vast experience in the production, post-production and exhibition industries - a unique combination of expertise that has helped in the development of the company's digital cinema technology.



Arts Alliance Media (AAM) is a global leader in digital cinema software and services,  offering cutting-edge solutions in software as well as installation, maintenance and support across the cinema ecosystem.



CES+ is the premier partner in cinema solutions. For the past 35 years has been a pioneer delivering innovative first-in-market technology and will revolutionize the industry with his one-of-a-kind Cinema-as-a-Service solution offering to become the disruptive facilitator of the evolution of the modern movie theater operation. CES+ is headquartered in Miami, Florida, and serves clients globally.




Dolby Laboratories develops and delivers products and technologies that make the entertainment experience more realistic and immersive. For four decades Dolby has been at the forefront of defining high-quality audio and surround sound in cinema, broadcast, home audio systems, cars, DVDs, headphones, games, televisions, and personal computers. Based in San Francisco with European headquarters in England, the company has entertainment industry liaison offices in New York and Los Angeles, and licensing liaison offices in London, Shanghai, Beijing, Hong Kong, and Tokyo.



DCIP is the largest digital cinema integrator in the world and provides industry leading software and management solutions to exhibitors and distributors. 

Cinergy is an enterprise suite of tools that helps you track, monitor, and efficiently manage cinema operations in one centralized platform.




USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.



QSC Cinema is the global leader in signal processing, power amplifiers, and loudspeakers for all cinema applications. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.

Industry



The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
 




For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. 



The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.



The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema. 

Shows & Events



CineAsia 2018, held at the Hong Kong Convention & Exhibition Centre on December 10-13, 2018.  Attendees will get the chance to hear about the current trends and new state-of-the-art technologies in the motion picture industry. Nowhere else in Asia can you accomplish as much in a short period of time to sustain, and help grow, your business in the year to come. Join your cinema exhibition, distribution, and motion picture industry colleagues to network; and see product presentations and screenings of major Hollywood films soon to be released in Asia. Attendees will also get the opportunity to visit the Trade Show where you will find the latest equipment, products, and technologies to help make your theatre a must-attend destination.





Emerging Cinema Markets Conference, to be held November 20 -22, 2018 at the Swissôtel The Bosphorus, Istanbul. The Emerging Cinema Markets Conference will focus on Turkey, Middle East, Central Asia, Balkans and Africa and will include key speakers and presenters to outline opportunities and issues for the industry. The Emerging Cinema Markets in Turkey, Central Asia, the Middle East, Balkans and Africa are at an early stage in their growth and development, but in combination they offer a significant opportunity for investors, studios, distributors, exhibitors and the specialist supply chains to the industry



The MENA Cinema Forum will be held October 28-29, 2018 at the Grand Hyatt Dubai, United Arab Emirates. 
The MENA region is one of the fastest growing markets for the cinema industry.  The MENA Cinema Forum will bring together the entire spectrum of stakeholders involved within the cinema sector including but not limited to local and international governments, investment companies, mall owners, cinema operators and exhibitors, suppliers and industry leaders, to address the growing requirements of the cinema market within the region.




CinemaCon, held April 1-4 2019 at Caesars Palace in Las Vegas, is expected play host to more than 6,000 motion picture theater industry professionals. Since taking its first step in 2011, CinemaCon has evolved and grown to become the largest and most important gathering for the worldwide motion picture theater industry. CinemaCon is truly a global event attracting attendees from more than 80 countries.


# 1930 Baird

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Erlangen, Germany—Mar 29, 2016

Fraunhofer IIS Unveils Top Production and Post-Production Technology Trends for 2016

Department Moving Picture Technologies outlines convergence of cinema and media and the demand for universal file format, codecs and camera technologies as key to success
The Fraunhofer Digital Media Alliance, the leading provider of future-oriented solutions for enhanced digital media and cinema workflows, today announces the top technology trends for production and post-production for 2016. The trends stem from Fraunhofer’s research and development of the solutions professionals need to provide new creative opportunities to stay competitive in today’s rapidly evolving media landscape.

“The expectations for creative, immersive and high-quality cinema, television and Internet streaming are higher than ever before,” said Dr. Siegfried Foessel, spokesperson, Fraunhofer Digital Media Alliance. “Professionals must enhance their workflows with the latest tools and solutions to meet these demands. Fraunhofer’s dedication to developing these technologies uniquely positions us with the knowledge of the innovations professionals need to overcome the challenges and take advantage of the creative opportunities of today and the future.”

The top technology trends for production and post-production are:

Convergence of the cinema, broadcast and multimedia worlds:
Content will no longer be solely produced to meet the specific technical standards for cinema or television or consumer devices. With the number of potential viewing screens increasing daily, along with an array of different resolutions, frame rates, color spaces and dynamic ranges, content must be developed so it is pervasive across all mediums. This requires universal technologies and standards ranging from file formats to codecs.
 
The rise of the Interoperable Master Format (IMF):
Currently in standardization by SMPTE, professionals will rapidly adopt IMF to simplify workflows and content exchange with a single, uniform format. The IMF is a universal format that can be converted into any distribution format for flexible transport between post-production stages, post-production facilities and content suppliers.
 
Demand for advanced compression technologies in production environments:
Providing the bandwidth and infrastructure for live productions to maintain resolution and dynamic range requirements up to 4K and beyond will become increasingly difficult over conventional Ethernet or HD SDI cables. The use of codecs to assure visually lossless transfer of this content for professional use case scenarios will become increasingly important.
 
Adoption of light-field technology:
The number of cameras and camera arrays used on set will grow rapidly to provide professionals with additional views for editing in post-production. Light-field technology exploits these views to create depth maps, virtual camera movements, changes in focus and relighting, along with enhancements for virtual backlot applications, all in post production based on a single shot.
 
The top trends arise from Fraunhofer’s close work with leading digital media and cinema research and technology companies and organizations from around the world. This includes the big six Hollywood studios, standardization groups including SMPTE and ISO, and partners such as Quantel, Avid and Blackmagic Design.
 
Fraunhofer IIS is currently supporting SMPTE standardization efforts by integrating IMF into its well-known easyDCP product line and participating in interoperability tests. Fraunhofer IIS also introduced light-field technology as a plug-in suite for the Foundry’s Nuke. The plug-ins’ light-field capacities range from focus shift to special effects, such as virtual camera movements, dolly-zooms, vertigo or the “Matrix” effect and relighting. These plug-ins are currently being tested by various Fraunhofer partners.
 
The Fraunhofer IIS Department Moving Picture Technologies is a member institute of the Fraunhofer Digital Media Alliance. The goal of the Alliance is to provide new technologies and innovations for each step of any digital media or cinema workflow for immersive viewing and audio experiences that enable customers to stay ahead of the market. As a competency center for contract-based research and developments, the Alliance focuses on standards-compliant and future-oriented technologies and solutions that can be seamlessly integrated into existing workflows and customized for different applications to meet the needs of any customer.

Further information is available at: http://www.digitalmedia.fraunhofer.de



About Fraunhofer IIS: The Fraunhofer-Gesellschaft is the leading organization for applied research in Europe. Its research activities are conducted by 66 institutes and re-search units at locations throughout Germany. The Fraunhofer-Gesellschaft employs a staff of more than 24,000, who work with an annual research budget totaling 2 billion euros.
 
Founded in 1985, Fraunhofer Institute for Integrated Circuits IIS in Erlangen, Germany, ranks first among the Fraunhofer Institutes concerning headcount and revenues. As the main inventor of mp3 and universally credited with the co-development of the AAC audio coding standard, Fraunhofer IIS has reached worldwide recognition. In close cooperation with partners and clients the Institute provides research and development services in the following areas: Audio & Multimedia, Communications Systems, Energy Management, IC Design and Design Automation, Imaging System, Medical Technology, Non-destructive Testing, Positioning, Safety and Security Technology, Sensor Systems plus Supply Chain Management.
 
More than 880 employees conduct contract research for industry, the service sector and public authorities. Fraunhofer IIS with its headquarters in Erlan-gen, Germany, has further branches in Dresden, Fuerth, Nuremberg, Coburg, Deggendorf, Ilmenau, Wuerzburg, Bamberg and Waischenfeld. The budget of 120 million euros is mainly financed by projects. Less than 25 percent of the budget is subsidized by federal and state funds.
Fraunhofer IIS Directory page
About Fraunhofer Digital Cinema Alliance: The Fraunhofer Digital Media Alliance consists of Fraunhofer IIS, Fraunhofer HHI Heinrich-Hertz Institute, Fraunhofer IDMT and Fraunhofer FOKUS. The Alliance provides a network of deep expertise and intelligence for the development of scalable technologies and international standards that allow customers to stay ahead of the market. With the start of digitalization in the moving picture industry, these institutes joined forces in 2004 to offer R&D expertise with one face to the customer. The institutes are well known in the industry for award-winning developments and standards like MP3, H.264, the DCI Compliance Test Plan for Digital Cinema, IOSONO, easyDCP software etc. In addition, they are contributing to ISO, SMPTE, ISDCF, EDCF. The head of the Fraunhofer Digital Media Alliance Dr. Siegfried Foessel is chair of the several ISO groups, SMPTE Regional Governor EMEA, Central & South America and President of the German Fernseh- und Kinotechnische Gesellschaft, the German equivalent to SMPTE. Fraunhofer Digital Cinema Alliance Directory page

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