Feb. 18, 2019
Register & Log in
Please login again. New Authentication System and User Account Options
We have recently upgraded our login system. An account is not required, but necessary to set your preferences and edit company information. If you have previously registered, you can log in again using the same email address and password. You can reset your password by following the "forgot password?" link on the login page.
You can now log in using your external account from
More services may be added.
for more information. You may still need to add (and confirm) your email address if its not provided by the external login provider.
When logged in, you can access your
page by clicking on your email address under the DCinemaToday logo.
A login account allows you to request edit permissions for your company listing. This permission is granted on a request basis to authorized employees and business principals. More information on requesting to updating company information is available on the Account Manage page. Once authorized, the companies you can update will be listed in the
section of your Account Manage page.
A login account allows you to set the order of the
tabs on the DCinemaToday Home page. You can set any tab as your default starting tab. To do this, go to the
section of the Account Manage page (Desktop only - not yet ready for the Mobile App.) More user-specific features are under development, so we recommend you log in when possible.
with any questions, feedback, issues, or bug reports .
Log into Account
Companies: North America
Companies: Asia and Pacific
Companies: Latin America
Last 20 News Items
From CineEurope 2018
From CinemaCon 2018
From CineAsia 2017
From ShowEast 2017
Full Press Release
Features and Technologies
Find by Country
RSS News Feeds
is the global leader in signal processing, power amplifiers, and loudspeakers for all cinema applications. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies,
also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.
QSC, LLC Home Page
Local Directory Page
Shows & Events
Refresh this page
Toronto, ON, Canada—Nov 8, 2005
Toronto International Film Festival upgrades Ryerson Theatre’s sound
he Toronto International Film Festival® (TIFF), now in its 30th year, is widely regarded as one of the world's most important film festivals, and has garnered a well-deserved reputation as the most successful public film festival in the world. The Festival has earned respect not only due to its stellar roster of content, but for its attention to detail in the presentation of its films, both visually and sonically. Hosted by several venues over its three decades, the Festival recently adopted a more permanent home at the city's landmark Ryerson Theatre, a grand historical structure built over half a century ago. In 2004, the Ryerson underwent an extensive makeover, transforming from a live performance space into a world-class cinema hall.
In order to uphold the Festival's standards as a world leader in cinema presentation standards, the organization enlisted the services of an acoustic design team including industry veterans Neil Muncy, Andy Condon, and Peter Harper. Muncy, president of Neil Muncy Associates in Markham, Ontario, has been involved with the TIFF for the past fifteen years, during which time several of the films he was responsible for presenting went on to win an Academy Award. Harper is a mix and recording engineer who helped to oversee the installation and documented the venue's equipment and wiring. Andy Condon is a computer engineer and former IT manager for a post-production house.
"The Ryerson was built in the 1950's, with an interior consisting of marble, granite, and other highly reflective surfaces," explains Muncy. "The acoustical treatment scheme included a modular THX wall made of conventional materials with the screen channel loudspeakers on a plane that focused the sound towards the audience."
The original sound system, provided by Montreal-based SF Marketing, featured QSC Audio's Digital Cinema Speaker (DCS) Series and was QSC's first complete, end-to-end cinema installation in Canada. Thirty QSC SR-110 surround sound loudspeakers were each individually wired back to a total of four QSC DCA 1644 amplifiers located in the projection booth.
This year, the original screen channel system was upgraded to include three of QSC's SC-443 Cinema Loudspeaker Systems, each comprising an MH-1075 mid-high system featuring a high output, horn loaded 10" midrange cone driver and a 3" titanium diaphragm compression driver, as well as two LF-4215s, each with dual 15" low-frequency enclosures specifically designed for the extended low-frequency requirements of cinema applications.
The QSC screen channels loudspeakers are designed to address the requirements of digital motion picture soundtracks while conforming to current theater architecture, with auditoriums getting shorter and wider. For example, the high-frequency section of the SC Series tilts its coverage pattern 10º down, placing the front row seating within the coverage pattern of the horn. The horn also offers a wider-than-usual horizontal coverage pattern to ensure all patrons can enjoy the full impact of the soundtrack. The low-frequency cabinets are heavily braced and properly tuned to reduce distortion at the high drive levels required by modern releases.
Each screen channel is tri-amplified using a QSC DCM-3 digital cinema processor for all three channels and the subwoofers. Screen channel power amplifiers - three QSC DCA 3022 and three QSC DCA 3422 - are located backstage to minimize the length of speaker level cabling. "We were happy that QSC was able to offer a complete package of products," said Muncy. "The QSC cinema boxes provide great coverage and sound fantastic."
A number of other significant upgrades were performed over the summer as well, with noted architect Peter Smith adding new seating and additional sound treatment including baffling on the sidewalls.
"The sound at last year's Festival was already excellent, but the improvements have made this year's event even more pronounced," remarked Technical Director Andrei Gravelle, a 14-year veteran of the Festival. "We've been receiving an overwhelming amount of unsolicited feedback, all of a positive nature."
Gravelle points out that, with the Festival getting an increasing number of world premieres, many of the featured films are being shown for the first time in a large venue. "Many times, these films are literally going from a mixing stage to the Festival stage, so it's that much more important to be able to reproduce the sound as it was originally intended.
"What's nice about the system is the choice of crossover points - it's very smooth and fluid. The Ryerson is a relatively large venue - over 1250 seats - and the system gives us even coverage and excellent clarity and intelligibility throughout the room."
We've just completed our second year of what we hope will be a long and successful partnership between Ryerson University and the Toronto International Film Festival Group," states Natalie Lue, Director of Theatres Operations for TIFFG. "We look forward to continuing to work with the exceptional Ryerson Theatre team to address the ever-evolving technical standards and requirements for film and live presentation." The multi-use nature of the venue presents its own set of challenges for TIFFG as well. "We install a special screen that totally obliterates the stage, so we do a complete de-install after the Festival every year," Gravelle explains. " That's what's great about this system - it's robust enough to withstand multiple installations, and consistent enough that we don't have to worry about what we're going to hear when we set it back up again."
True to its name, the Digital Cinema Speaker Series performed admirably on the digital debut of musician/artist Laurie Anderson's latest production, Hidden Inside Mountains, presented in High Definition HDCAM. Other debuts this year included Water, A History of Violence, Where the Truth Lies, Kiss Kiss Bang Bang, Tim Burton's Corpse Bride and Wallace and Gromit: Curse of the Were-Rabbit.
"This year's Ryerson schedule was one of our busiest, with screenings starting as early as 9:00 AM and ending with a midnight screening," Gravelle concludes. "With 57 screenings in ten days and very little turnaround time between shows, we're especially grateful for the system's reliability."
Megan Strom | Marketing Specialist
Director, Global Cinema Sales
Director, Global Cinema Marketing
QSC Web Site
About QSC, LLC:
QSC 50 and Forward celebrates a company founded over five decades ago, now a globally recognized leader in the design, engineering and manufacture of award winning high performance audio products including power amplifiers, loudspeakers, digital mixers, digital signal processors (DSP), and the Q-SYS™ networked audio, video and control platform. Uniquely leveraging a broad range of technologies located under one roof, QSC products outperform the sum of their parts by delivering reliable, scalable and flexible solutions for professional installed, portable, production, corporate and cinema customers worldwide. #qscmoments
QSC, LLC Directory page
QSC, LLC Web Site
QSC, LLC (Costa Mesa,)
Share this page:
More QSC News:
Jan 14, 2019
Industry Veteran Ulf Qvicklund joins QSC as Cinema Sales Manager, EMEA
Dec 10, 2018
Rod Archer Joins QSC as Product Manager, Cinema
Dec 6, 2018
QSC Introduces New Surround Loudspeakers for Cinema
Nov 27, 2018
QSC Announces First QSC Certified Multiplex
Oct 18, 2018
New Q-SYS Networking Solutions Now Available from QSC
Oct 11, 2018
The Vancouver International Film Festival Premieres with QSC Accessibility Solutions
May 23, 2018
Aravind Yarlagadda Named QSC Chief Technology Officer and Executive Vice President, Product Development
Apr 25, 2018
QSC & Adaptive Technologies Group Tackle Big Room Immersive Sound at CinemaCon
Apr 20, 2018
QSC Announces New Products at CinemaCon 2018
Apr 20, 2018
QSC Announces Q-SYS™ Ready CMS-5000 Cinema Media Server
Apr 5, 2018
Jay Wyatt Joins QSC as Sales Engineer
Jan 16, 2018
QSC Unveils New Flyable Subwoofers for Cinema
Oct 23, 2017
New Q-SYS™ for Cinema interface from QSC
Aug 29, 2017
QSC Wins Third Consecutive Cinema Manufacturer of the Year Award
Jun 15, 2017
Unique Digital’s RosettaBridge TMS Supports QSC CMS-2200
Mar 27, 2017
QSC Announces TMS Support for USL CMS-2200
Mar 27, 2017
Steve Hatton Joins QSC as Cinema Product Specialist
Jan 23, 2017
QSC Announces First QSC Certified Theatres
Nov 16, 2016
CinemaNext Transforms Munich’s Mathäser Filmpalast 6 Into First German QSC-Certified Theatre
Oct 12, 2016
QSC Announces DPM Series Digital Processor/Monitors
©Copyright 2003 - 2019
| Terms of Service
All rights reserved.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .