Cinema Technology Mar. 22, 2023
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These days, it’s no longer just about technology, it’s about experiences – WOW experiences. We are a team of cinema and technology experts from around the globe – Barco, ALPD, and CGS – who help you in creating surprising experiences.  We combine innovative cinema technologies with our unique and comprehensive service models to guarantee your peace of mind. So you can focus on new ways to surprise and delight your customers for years to come. Together, we engage to deliver a world-class cinema experience - the one you’ve been waiting for.


Arts Alliance Media (AAM) is the global leader in digital cinema software and services, offering a wide range of solutions which help exhibitors to reduce costs, increase efficiency, and improve the cinematic experience for their customers.

AAM’s extensive portfolio, including Producer, Screenwriter, Lifeguard, MX4D, and HeyLED, touches over 42,000 screens worldwide, while their network operations centre (NOC) supports several thousand screens.
 
AAM is part of the Luxin-Rio Group, the world’s foremost cinema technologies provider.



Strong Cinema, a segment of Ballantyne Strong, Inc., consists of:

Strong Technical Services, that offers a comprehensive suite of cinema-focused services, including installation, maintenance, and technical support, to exhibitors throughout the United States.

Strong MDI, one of the world's leading cinema screen manufacturers that produces and sells specialty screens, screen support structures, and other film exhibition equipment for customers globally.  


QSC is the global leader in cinema signal processing, power amplifiers, and loudspeakers for all applications within today's modern cinema entertainment center. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.


GDC Technology is a leading manufacturer and provider of cinema equipment and solutions including cinema automation systems, cinema servers, cinema enterprise software, cinema storage, cinema audio solutions, and cinema projectors that meet the highly demanding performance, security and reliability requirements established by motion picture studios.




USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.


SHARP NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of SHARP NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. SHARP NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.


Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.
Industry Partners


The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema. 


The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.


For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. 


The Union Internationale des Cinémas/International Union of Cinemas (UNIC) represents the interests of cinema trade associations and cinema operators covering 37 countries in Europe and neighboring regions.​ ​


The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
 
Shows & Events


CineEurope 2022, has been scheduled for June 20-23, 2022 in Barcelona.  CineEurope promises to bring you another year with the very best in exclusive studio screenings and product presentations, cinematic technologies and innovations and educational seminars to keep your business on top of industry trends.


CinemaCon 2023 has been scheduled for 24-27 April 2023 at Caesars Palace in Las Vegas.  Check the links below for the latest information. 


ShowEast 2022 scheduled to be held in Miami from Oct 17-20, 2022 at Fontainebleau Miami Beach, features a range of exclusive product presentations and screenings from both Independent and Major Hollywood studios to help you make important programming decisions for the 4th quarter box office.  Powerhouse seminars offer valuable insight from top executives on the latest industry trends and concerns; while our EXPO experience offers delegates a glance at the latest and best technologies, entertainment, services, comforts, and conveniences to make their theatres must-attend destinations.  ShowEast’s International program draws a large contingency of Latin and South American delegates – more than any other convention of its kind. A one and a half day program dedicated to the latest content and concerns and within this rising region.


CineAsia 2022 has been scheduled for Dec 5-8, 2022 in Bangkok.  Check links for more information.  The CineAsia trade show is where cinema exhibition and distribution professional come to do business and network. The convention will also feature product presentations and screenings of major upcoming films, exclusive sponsored events, and seminars relating to current and future trends happening across the industry.  Additional information on CineAsia can be found at www.cineasia.com.
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Hanover—May 18, 2010

DCI Mastering with DVS at Mosfilm

Mosfilm, one of Europe’s largest film corporations, has opted for a DVS CLIPSTER®
In early 2010, the DI workstation CLIPSTER® was added as an essential component to Mosfilm’s workflows. Mosfilm is a well-known Russian film corporation with a wide equipment of cameras, DI suites, synchronization, and sound studios. CLIPSTER®, the DVS flagship, performs Mosfilm’s DCI Mastering and generates encoded data packages in high speed.

CLIPSTER® replaces Mosfilm’s former DCI Mastering system and considerably accelerates the process. All necessary DCI steps from DSM (Digital Source Master) to DCP (Digital Cinema Package) can be created in a single system thus preventing time-consuming transfer processes through the use of many different components. The editors at Mosfilm can view the finished DCPs directly in CLIPSTER® and change color spaces on screen right away, which makes the entire process very comfortable, transparent and time-saving.

For CLIPSTER® alone, Mosfilm built a preview suite in theater size, individually adapted to their 3D projects. Requiring real-time capabilities, Mosfilm benefits from the latest developments in DVS’s DI workstation: CLIPSTER® generates 3D DCPs in real-time and accelerates DCI Mastering and 3D subtitling thanks to DVS’s sophisticated hardware.

Mosfilm is enthusiastic about the DI workstation’s multiple fields of application, e.g. mastering, conforming and multi-format capabilities. Especially CLIPSTER’s competence in playing out uncompressed data in highest quality assists Mosfilm in efficiently processing the annual amount of film material. The award-winning DI workstation lets users combine RAW data from RED®, ARRI D-20 and D-21, Phantom and Silicon Imaging’s SI-2Kcameras on a single timeline and decodes, demosaics and supports all formats in real-time.

Igor Bogdasarov, Chief Engineer at Mosfilm: “We are absolutely delighted with CLIPSTER®. The installation went smoothly and the DI wokstation has quickly become an integral and reliable part of our workflow. Thanks to DVS we have implemented high-class DCI Mastering and we can now offer a unique service to our Russian clients.”

Juri Freiberger, Business Development and Pre-Sales Eastern Europe at DVS: “Mosfilm is among Europe’s largest and most prestigious film corporations. It was very important for us to work with such a well-known partner and to assist in expanding the Russian film market with DVS technology.”
DVS Digital Video Systems AG Web Site
About DVS Digital Video Systems AG: DVS is a leading manufacturer of high-quality hardware and software for the digital film and video post production, broadcast, presentation and event markets. DVS applications span the areas of R&D, production of popular TV series and Hollywood blockbusters, and enable 4K films for Digital Cinema. With nearly 25 years of experience in the professional video industry, DVS has cultivated a “passion for perfection,” and continues to develop revolutionary systems for customized, flexible, high-performance workflows. DVS was the first company in the world to make real-time 4K processing possible. CLIPSTER®, DVS’s flagship product, has won several prestigious awards, including the Hollywood Post Alliance’s Engineering Excellence Award. At the BANFF World Television Festival, DVS was honored with the 2009 Deluxe Outstanding Technical Achievement Award. Headquartered in Hanover (Germany) and Los Angeles (USA), DVS also has branch offices in Miami (USA), Paris (France), and Singapore. DVS Digital Video Systems AG Directory page
About Mosfilm: The undisputed leader in the Russian film industry, Mosfilm is proud to have its brand on virtually all Russian motion picture, television and video products. With a production capacity of over 100 films a year, Mosfilm creates, releases and sells motion pictures, television series, and videos as a full-cycle film production business handling everything from the script to the ready film copy. Over the last nine years Mosfilm has been actively upgrading its production facilities and technical resources. Mosfilm put a colossal amount of effort into modernizing its pavilions and studios, equipping them with the latest hardware and filming equipment on par with the most demanding modern standards. Mosfilm uses state-of-the-art equipment for all types of motion picture and video editing work, telecopying and computer graphics. Today Mosfilm is synonymous with advanced technologies, nonstop film production, top-notch creative professionals, and rare collections that are the envy of many. All of these factors have earned the studio its rightful status as the flagship of the Russian film industry, making an unmatched contribution to the revival of the Russian cinematograph. Mosfilm Directory page
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