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CES+ is the premier partner in cinema solutions. For the past 35 years has been a pioneer delivering innovative first-in-market technology and will revolutionize the industry with his one-of-a-kind Cinema-as-a-Service solution offering to become the disruptive facilitator of the evolution of the modern movie theater operation. CES+ is headquartered in Miami, Florida, and serves clients globally.

Sony Digital Cinema 4K gives audiences an entertainment experience they’ll never forget in 2D or 3D. There’s a complete family of Sony 4K projection systems to suit every cinema operator, from small boutique screens to the largest multiplex. All our easy-to-use projectors deliver 4K resolution images that viewers love, bursting with rich colour and industry-leading 8000:1 average contrast ratio. Sony’s SRX-R500 series of projectors are also HDR-ready, meeting brightness and contrast requirements for screening the latest 4K movies mastered for High Dynamic Range presentation. Spectacular 4K images are matched by impressively low running costs. The long-lasting HPM multi-lamp array in all our SRX-R500 Series projectors is more energy efficient than traditional Xenon lamps, reducing routine maintenance and cutting the risk of revenue-threatening dark screens. A compelling choice for the big screens, our Premium Large Format (PLF) projection solution outshines costly first generation laser systems, with unrivalled 4K picture quality at light levels up to 60,000 lumens.

 

Arts Alliance Media (AAM) is a global leader in digital cinema software and services,  offering cutting-edge solutions in software as well as installation, maintenance and support across the cinema ecosystem.
Moving Image Technologies manufacturers and markets a full complement of cinema exhibition equipment and services to support the industry’s transition to digital cinema, including: custom engineering, systems design, integration, digital technology solutions for 3D, digital cinema, pre-feature on-screen advertising and components. Moving Image Technologies’ mission is to have the most talented, passionate people in cinema working to provide the best presentation tools for the cinema exhibition industry.
Unique X, Based in the UK, is a new brand for the future of digital cinema, providing intelligent autonomous solutions and content services.  Unique X operates in 65 countries globally. To date, more than 70 million GB of data have been transferred, and over 60 million advertising playlists have been delivered. Solutions include RosettaBridge TMS, RosettaNet Estate Management System, Movie Transit (DCP Content Delivery Network), Basekey (KDM management), RosettaPOS (Point of Sale), RosettaLive (Event Streaming) and our pre-show products of Advertising Accord, Ad Transit and Smart Trailering.
Deluxe Technicolor Digital Cinema (DTDC), a joint venture between Deluxe Entertainment Services Group and Technicolor, is the market leading provider of theatrical digital cinema mastering, distribution and key management services for clients worldwide. DTDC combines best-in-class technologies, personnel, work processes and facilities, and is based in Burbank, CA. Deluxe Entertainment Services Group Inc. and Technicolor are global leaders in digital services and technology solutions for media and entertainment.
Cielo is true proactive monitoring and support. Customers can access Cielo from any device connected to the internet, giving them the freedom to manage the customer experience outside the confines of their offices. Customers have circuit wide visibility into their theater operations so they are able to solve problems more efficiently.
Cinionic is transforming cinema, providing comprehensive WOW entertainment solutions to movie exhibitors across the globe. We help turn imagination into reality and ensure peace of mind for our customers by offering innovative services and flexible use of capital for a new era. Combining the technology expertise and heritage of our partners, Cinionic powers exceptional experiences across the entire theater to engage visitors at multiple touchpoints in their cinema journey. 
Bardan Cinema has been a leader in cinema equipment sales in Latin America and the Caribbean for over 40 years. With a well-established reputation and broad customer base that spans independent boutique theaters to large multiplexes, Bardan provides total solutions and services ranging from cinema design, equipment sales, installation, monitoring and VPF implementation. In collaboration with D-Cinema NOC, Bardan now offers comprehensive 24/7/365 proactive monitoring and remote support to exhibitors throughout the region.
GDC Technology Limited is a digital cinema solutions provider. GDC Technology develops, manufactures and sells digital cinema servers, content storage systems, theatre management systems and network operations center software for digital cinema. In addition, GDC is the appointed worldwide certification services agent, with exclusivity in Asia to certify DTS:X immersive sound auditoriums for DTS, Inc. GDC also provides a suite of digital cinema products and services, including integrated projection systems, 3D products, projector lamps and silver screens. GDC's subsidiary, GDC Digital Cinema Network Limited, manages VPF for approximately 5,000 theater screens and 250 motion picture distributors worldwide.
USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.
Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.
Dolby Laboratories develops and delivers products and technologies that make the entertainment experience more realistic and immersive. For four decades Dolby has been at the forefront of defining high-quality audio and surround sound in cinema, broadcast, home audio systems, cars, DVDs, headphones, games, televisions, and personal computers. Based in San Francisco with European headquarters in England, the company has entertainment industry liaison offices in New York and Los Angeles, and licensing liaison offices in London, Shanghai, Beijing, Hong Kong, and Tokyo.
CinemaCon, held April 1-4 2019 at Caesars Palace in Las Vegas, is expected play host to more than 6,000 motion picture theater industry professionals. Since taking its first step in 2011, CinemaCon has evolved and grown to become the largest and most important gathering for the worldwide motion picture theater industry. CinemaCon is truly a global event attracting attendees from more than 80 countries.
Qube Cinema is committed to creating a seamless world of Digital Cinema with products that are innovative, powerful, reliable and cost-effective. Qube Cinema is a company with a passion for cinema and a thorough understanding of film, video, audio and computer technology along with vast experience in the production, post-production and exhibition industries - a unique combination of expertise that has helped in the development of the company's digital cinema technology.
NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.
QSC Cinema is the global leader in signal processing, power amplifiers, and loudspeakers for all cinema applications. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.
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London, United Kingdom—Apr 20, 2017

International Moving Image Society Appoints New Chair of Cinema Technology Committee

The International Moving Image Society (IMIS) (formerly known as the British Kinematograph Sound and Television Society (BKSTS)) has announced the appointment of a new Chairman to oversee the development of its widely respected Cinema Technology Committee (CTC).
 
The appointment of Richard Mitchell (also VP Global Marketing & Commercial Development at Harkness Screens) was confirmed at the committee’s April meeting following the decision of the previous Chairman Richard Huhndorf (UK Technical Director at Warner Bros) to stand down after a term of nearly seven years.

“Over the past eighteen months the society has started the process of revitalising its infrastructure to serve the 21st century global media industry,” explains Roland Brown, President of IMIS. “It is no secret that up until very recently the society had been in decline through an ageing membership and the change over the past two decades in the way creative talent is employed.  During this difficult period, the Cinema Technology Committee under Richard Huhndorf’s leadership and its associated journal Cinema Technology Magazine stood as shining examples of what the society could achieve, particularly against the backdrop of the enormous technological change from film projection to digital projection.  As the society has broadened its horizons and ambitions, the Cinema Technology Committee has been doing the same attempting to redefine its core purpose to best serve the cinema industry and the new Chairman and his team will doubtless provide an invaluable resource to the industry,” he adds.
 
As well as delivering cinema presentation training courses, the committee has organised educational visits to product manufacturers, overseen a dramatic refresh of its acclaimed journal and delivered a number of presentations at the recent UK Cinema Association conference in London on topics including HDR, immersive audio and laser projection.
 
“I am extremely honoured to be the new chair of such a vibrant, diverse and progressive group of professionals that are seeking to share knowledge and skills for the betterment of the cinema industry,” explains Richard Mitchell, Chairman of the CTC.  “Digital cinema technology presented the industry with substantial opportunities but also significant challenges and whilst many of these have been solved there is still much work to do to help the industry improve the movie-going experience whilst keeping a close eye on developing technologies. The breadth of expertise within our group (with members from distribution, post production, exhibition, integration and manufacturing) leaves us ideally positioned to support the industry not just in interpreting industry standards and how to apply these or in identifying the best of breed technology for the future but most importantly how to improve, optimise and maintain presentation quality with existing cinema equipment and the best practices associated with these,” he adds.
 
The CTC has also confirmed Graham Lodge (Managing Director of Sound Associates) as Vice Chairman, Peter Knight (Mad Cornish Projectionist) as Head of Communications and Dave Norris (Universal Pictures International) affectionately named “Last Projectionist Standing” by movie critic Mark Kermode as Cinema Technology Ambassador.
 
Over the coming months both IMIS and CTC will be launching a range of initiatives aimed at supporting the media creation and cinema industries.
 
About Cinema Technology Committee
The Cinema Technology Committee (CTC) of the International Moving Image Society (IMIS) aims to assist the cinema industry in recognizing the importance that cinema technology and indeed the way in which it’s utilized can have a profoundly positive effect on the movie-going experience.
 
As well as providing guidance and support, the CTC engages in a number of activities aimed at educating and improving the cinema experience. These include training courses, technical handbooks, educational visits, knowledge sharing, networking events, projectionist certification (in conjunction with the UKCA) and the industry’s leading technical journal, Cinema Technology Magazine.
 
For more information, visit the Society’s web page at www.societyinmotion.com/ctc

About International Moving Image Society: The International Moving Image Society was born out of the BKSTS in 2016. The BKSTS was originally created as the ‘London Branch’ of Society of Motion Picture Engineers (now known as SMPTE) until 1930.  The society is focused but is not limited to supporting the development, production and exhibition of feature films, television, commercials, music videos, short films, animation, gaming, and future emerging formats for consumption through training, education, knowledge sharing and networking.  For more information, visit the Society’s web page at www.societyinmotion.com
 

International Moving Image Society Directory page
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Sep 28, 2017 IMIS CTC Announces Seminar on Augmented and Virtual Reality in Cinema
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