Cinema Technology Aug. 10, 2022
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GDC Technology is a leading manufacturer and provider of cinema equipment and solutions including cinema automation systems, cinema servers, cinema enterprise software, cinema storage, cinema audio solutions, and cinema projectors that meet the highly demanding performance, security and reliability requirements established by motion picture studios.




QSC is the global leader in cinema signal processing, power amplifiers, and loudspeakers for all applications within today's modern cinema entertainment center. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.


Strong Cinema, a segment of Ballantyne Strong, Inc., consists of:

Strong Technical Services (STS) that offers a comprehensive suite of cinema-focused services, including installation, maintenance, and technical support, to exhibitors throughout the United States.

Strong/MDI Screen Systems Inc. one of the world's leading cinema screen manufacturers that produces and sells specialty screens, screen support structures, and other film exhibition equipment for customers globally.  


Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.


SHARP NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of SHARP NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. SHARP NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.


USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.


welcome to Cinionic
welcome to wow

These days, it’s no longer just about technology, it’s about experiences – WOW experiences. We are a team of cinema and technology experts from around the globe – Barco, ALPD, and CGS – who help you in creating surprising experiences.  We combine innovative cinema technologies with our unique and comprehensive service models to guarantee your peace of mind. So you can focus on new ways to surprise and delight your customers for years to come. Together, we engage to deliver a world-class cinema experience - the one you’ve been waiting for.
Industry Partners


The Union Internationale des Cinémas/International Union of Cinemas (UNIC) represents the interests of cinema trade associations and cinema operators covering 37 countries in Europe and neighboring regions.​ ​


The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
 


For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. 


The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.


The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema. 
Shows & Events


CinemaCon 2022 has been scheduled for April 25 - 28, 2022 at Caesars Palace in Las Vegas.  Check the links below for the latest information. 


ShowEast 2022 scheduled to be held in Miami from Oct 17-20, 2022 at Fontainebleau Miami Beach, features a range of exclusive product presentations and screenings from both Independent and Major Hollywood studios to help you make important programming decisions for the 4th quarter box office.  Powerhouse seminars offer valuable insight from top executives on the latest industry trends and concerns; while our EXPO experience offers delegates a glance at the latest and best technologies, entertainment, services, comforts, and conveniences to make their theatres must-attend destinations.  ShowEast’s International program draws a large contingency of Latin and South American delegates – more than any other convention of its kind. A one and a half day program dedicated to the latest content and concerns and within this rising region.


CineEurope 2022, has been scheduled for June 20-23, 2022 in Barcelona.  CineEurope promises to bring you another year with the very best in exclusive studio screenings and product presentations, cinematic technologies and innovations and educational seminars to keep your business on top of industry trends.


CineAsia 2022 has been scheduled for Dec 5-8, 2022 in Bangkok.  Check links for more information.  The CineAsia trade show is where cinema exhibition and distribution professional come to do business and network. The convention will also feature product presentations and screenings of major upcoming films, exclusive sponsored events, and seminars relating to current and future trends happening across the industry.  Additional information on CineAsia can be found at www.cineasia.com.
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London, U.K.—Sep 28, 2017

IMIS CTC Announces Seminar on Augmented and Virtual Reality in Cinema

The International Moving Image Society’s Cinema Technology Committee (IMIS CTC) has announced further details of its forthcoming seminar on Augmented Reality (AR) and Virtual Reality (VR) in cinema.
 
Held at the iconic Regent Street Cinema in London on Thursday 26th October, the seminar will look at the impact and uses that these immersive experiences are having both in entertainment and across other industries, the potential for both in a cinematic environment and the issues film makers may face in creating an immersive experience that still remains shared across a large scale audience.
 
The seminar will feature keynote presentations from acclaimed Director of Photography, lecturer and author Professor Harry Mathias and Scott Grant, Managing Director of leading global visualisation house, Soluis.
 
ProfessorHarry Mathias (MA, BA, San Francisco State University) was the director of photography on feature films, network TV dramatic shows, documentaries, TV and political commercials, and music videos. He is schooled in the classical Hollywood movie traditions of cinematography and lighting and has collaborated with some of the greatest names in the cinema industry. His feature film projects have included drama, comedy, action, and special-effects movies. He was also active in the San Francisco avant-garde filmmaking movement. He won a Golden Eagle Award for his documentary about homeless teenagers, Shadow Children. He has filmed documentaries for BBC, CBC, ABC, NBC, CBS, and Swedish Television, as well as KPIX, KQED, and KGO in San Francisco.
 
Equally skilled in digital cinema technology, Professor Mathias was the senior technical executive at NEC Digital Cinema; the founding top executive of Barco digital cinema; director of motion picture technology, worldwide, at Schneider Optics; and the senior consultant to four CEOs of Panavision. He is a founding member of the Society of Motion Picture and Television Engineers (SMPTE) DC28 and 21DC Digital Cinema standards group.
 
As CEO, Scott Grant holds overall responsibility for the strategic direction of, Soluis Group, one of the UK’s leading creative organisations. For over six years he has driven the Group’s reputation to be the leading partner for high quality digital visualisation and interactive presentation for some of the world’s most dynamic businesses.  By building on the business’ track record of producing top quality visual media Scott and his team are leading a real drive to deliver better outcomes in project engagements by utilising the latest digital platforms to aid understanding and these include shared immersive solutions including Augmented Reality and Virtual Reality.
 
Those interested in attending can now secure their tickets free of charge online by visiting https://www.societyinmotion.com/events/vr-ar-in-cinema-october-2017/ or http://bit.ly/2wmF37s
 
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About International Moving Image Society
The International Moving Image Society was born out of the BKSTS in 2016. The BKSTS was originally created as the ‘London Branch’ of Society of Motion Picture Engineers (now known as SMPTE) until 1930. 
 
The society is focused but is not limited to supporting the development, production and exhibition of feature films, television, commercials, music videos, short films, animation, gaming, and future emerging formats for consumption through training, education, knowledge sharing and networking.
 
For more information, visit the Society’s web page at www.societyinmotion.com
 
 
About Cinema Technology Committee
The Cinema Technology Committee (CTC) of the International Moving Image Society (IMIS) aims to assist the cinema industry in recognizing the importance that cinema technology and indeed the way in which it’s utilized can have a profoundly positive effect on the movie-going experience.
 
As well as providing guidance and support, the CTC engages in a number of activities aimed at educating and improving the cinema experience. These include training courses, technical handbooks, educational visits, knowledge sharing, networking events, projectionist certification (in conjunction with the UKCA) and the industry’s leading technical journal, Cinema Technology Magazine.
 
For more information, visit the Society’s web page at www.societyinmotion.com/ctc
About International Moving Image Society: The International Moving Image Society was born out of the BKSTS in 2016. The BKSTS was originally created as the ‘London Branch’ of Society of Motion Picture Engineers (now known as SMPTE) until 1930.  The society is focused but is not limited to supporting the development, production and exhibition of feature films, television, commercials, music videos, short films, animation, gaming, and future emerging formats for consumption through training, education, knowledge sharing and networking.  For more information, visit the Society’s web page at www.societyinmotion.com
 

International Moving Image Society Directory page
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More International Moving Image Society News:
Apr 20, 2017 International Moving Image Society Appoints New Chair of Cinema Technology Committee
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