Cinema Technology Aug. 18, 2022
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Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.



Strong Cinema, a segment of Ballantyne Strong, Inc., consists of:

Strong Technical Services (STS) that offers a comprehensive suite of cinema-focused services, including installation, maintenance, and technical support, to exhibitors throughout the United States.

Strong/MDI Screen Systems Inc. one of the world's leading cinema screen manufacturers that produces and sells specialty screens, screen support structures, and other film exhibition equipment for customers globally.  





GDC Technology is a leading manufacturer and provider of cinema equipment and solutions including cinema automation systems, cinema servers, cinema enterprise software, cinema storage, cinema audio solutions, and cinema projectors that meet the highly demanding performance, security and reliability requirements established by motion picture studios.





welcome to Cinionic
welcome to wow

These days, it’s no longer just about technology, it’s about experiences – WOW experiences. We are a team of cinema and technology experts from around the globe – Barco, ALPD, and CGS – who help you in creating surprising experiences.  We combine innovative cinema technologies with our unique and comprehensive service models to guarantee your peace of mind. So you can focus on new ways to surprise and delight your customers for years to come. Together, we engage to deliver a world-class cinema experience - the one you’ve been waiting for.





SHARP NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of SHARP NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. SHARP NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.



USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.



QSC is the global leader in cinema signal processing, power amplifiers, and loudspeakers for all applications within today's modern cinema entertainment center. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.

Industry Partners



The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
 




For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. 



The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.



The Union Internationale des Cinémas/International Union of Cinemas (UNIC) represents the interests of cinema trade associations and cinema operators covering 37 countries in Europe and neighboring regions.​ ​





The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema. 

Shows & Events



CineEurope 2022, has been scheduled for June 20-23, 2022 in Barcelona.  CineEurope promises to bring you another year with the very best in exclusive studio screenings and product presentations, cinematic technologies and innovations and educational seminars to keep your business on top of industry trends.



CineAsia 2022 has been scheduled for Dec 5-8, 2022 in Bangkok.  Check links for more information.  The CineAsia trade show is where cinema exhibition and distribution professional come to do business and network. The convention will also feature product presentations and screenings of major upcoming films, exclusive sponsored events, and seminars relating to current and future trends happening across the industry.  Additional information on CineAsia can be found at www.cineasia.com.



CinemaCon 2022 has been scheduled for April 25 - 28, 2022 at Caesars Palace in Las Vegas.  Check the links below for the latest information. 




ShowEast 2022 scheduled to be held in Miami from Oct 17-20, 2022 at Fontainebleau Miami Beach, features a range of exclusive product presentations and screenings from both Independent and Major Hollywood studios to help you make important programming decisions for the 4th quarter box office.  Powerhouse seminars offer valuable insight from top executives on the latest industry trends and concerns; while our EXPO experience offers delegates a glance at the latest and best technologies, entertainment, services, comforts, and conveniences to make their theatres must-attend destinations.  ShowEast’s International program draws a large contingency of Latin and South American delegates – more than any other convention of its kind. A one and a half day program dedicated to the latest content and concerns and within this rising region.


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ShowEast 2012, Hollywood, FL—Nov 6, 2012

Dolby and Paramount Pictures Embark on New Frontiers for J.J. Abrams’ Star Trek into Darkness

Bad Robot Productions will create immersive Dolby Atmos sound mix and integrate Dolby Professional Reference Monitor into workflow
Dolby Laboratories, Inc. (NYSE: DLB) and Paramount Pictures, a division of Viacom Inc., today announced at ShowEast 2012 that J.J. Abrams’ Bad Robot production of Star Trek into Darkness will use the latest technical achievements in cinematic storytelling to deliver a new experience to audiences. Star Trek into Darkness is scheduled to be released by Paramount Pictures on May 17, 2013.

Star Trek into Darkness will be released in Dolby® Atmos™ to deliver a more natural and realistic soundtrack that moves sound around and above audiences, transporting them into the outer regions of the universe. The Bad Robot Productions team will also integrate the Dolby Professional Reference Monitor PRM-4200 into its pre- and postproduction workflows.

“We are in the incredible and lucky position to have access to the latest technology, the best possible tools, and the most talented artists in the business,” said Abrams, the producer and director of Star Trek into Darkness. “We are therefore thrilled to announce that we will be employing the amazingly immersive Dolby Atmos audio system to bring the Star Trek into Darkness soundtrack to life.”

Academy Award® winner Andy Nelson and multiple Academy Award nominee Anna Behlmer are the re-recording mixers at the helm of the Dolby Atmos mix; Academy Award winner Ben Burtt and multiple Academy Award nominee Matt Wood are the supervising sound editors. Dolby Atmos is a new audio platform that revolutionizes the experience of sound in entertainment. It allows sound designers and mixers a new level of creative control and ensures that audiences will experience the full impact of the sound mix, regardless of theatre configuration. Said Mark Christiansen, Executive Vice President, Worldwide Operations, Paramount Pictures, “Dolby Atmos brings a new sonic dimension to the amazing visuals Star Trek into Darkness will deliver audiences.”

The list of theatres selected to show Star Trek into Darkness in Dolby Atmos will be made available closer to the release date.

The Dolby PRM-4200 has been at the center of the visual effects (VFX) production, having been used for color-critical VFX reviews and previsualization work. VFX producer Ron Ames reports, “The Dolby monitor allows us to see more color-accurate and higher-quality images than ever before right in our workspace. We’ve been able to dramatically streamline our shot-review process, as we have confidence that the images we’re seeing on the Dolby monitor will precisely match what we see on the big screen.” The Dolby Professional Reference Monitor also ensures that all the incredible detail and rich colors captured by cinematographer Daniel Mindel are accurately represented onscreen.

“J.J. Abrams embraces new innovations and technologies that improve storytelling. Dolby is helping the cinema industry to deliver on this vision as it has done for over four decades,” said Doug Darrow, Senior Vice President, Cinema, Dolby Laboratories. “We are excited to have J.J. Abrams use these new technologies to deliver the best picture and sound to the big screen.”

Star Trek into Darkness is written by Damon Lindelof, Alex Kurtzman, and Roberto Orci. It is directed by J.J. Abrams. Abrams will also produce the feature with Bryan Burk through Bad Robot Productions, along with Lindelof, Kurtzman, and Orci.

About Dolby Atmos
Dolby Atmos brings a powerful new listening experience to the cinema with more natural, realistic sound that truly envelops the audience. It is an end-to-end solution that helps mixers, studios, and distributors dramatically improve the audio experience. The Dolby Atmos platform makes it easy for content creators to create immersive soundscapes, and it ensures the best possible audience experience, regardless of theatre configuration or the number of speakers.

Hollywood studios including Disney/Pixar (Brave), DreamWorks Animation (Rise of the Guardians), Twentieth Century Fox (Taken 2Chasing MavericksLife of Pi), and Warner Bros. (The Hobbit: An Unexpected Journey) have adopted the Dolby Atmos format, increasing the count  of 2012 Dolby Atmos titles to six.
In 2013, three titles, including Gravity and Pacific Rim from Warner Bros. and Star Trek into Darkness from Paramount Pictures, are already scheduled to receive the Dolby Atmos treatment, with additional studio titles to follow.

International movie productions are currently in the works or will be started in 2013 by movie studios in China, France, Germany, India, Korea, Spain, and the United Kingdom. Acclaimed Singapore director Jack Neo’s upcoming movie Ah Boys to Men premieres in Dolby Atmos on November 6, 2012.

To learn more about Dolby Atmos, visit dolby.com/Atmos.
To share an educational video on Dolby Atmos, visit https://vimeo.com/40699179.
To see Dolby’s virtual press kit, visit dolby.com/news.

About the Dolby Professional Reference Monitor PRM-4200
The Dolby Professional Reference Monitor PRM-4200 offers a new standard for critical viewing applications. It renders true black levels, highly accurate dark detail, and the most precise colors at all luminance levels and in all formats. The backlight is an array of red, green, and blue LEDs that are modulated individually on a frame-by-frame basis to provide full accuracy of blacks, color, and grayscale. The LCD panel is also modulated in real time as part of the dual-modulation process. It is the first monitor to accurately display the full latitude of today’s high-end digital cameras.


About Dolby Laboratories, Inc.: Dolby revolutionizes the science of sight and sound into truly unique experiences. Through innovative research and engineering, we create transformative experiences for billions of people worldwide through a collaborative ecosystem spanning artists, business partners, and consumers. The experiences people have –with Dolby Cinema, Dolby Vision, Dolby Atmos, Dolby Audio, and Dolby Voice –revolutionize entertainment and communications at the cinema, on the go, in the home, and at work. 

For the Cinema Industry, Dolby offers a full range of audio, imaging, accessibility, and content management solutions designed to give audiences the most spectacular, fully immersive cinema experience available to date. We collaborate with exhibitors, dealers, and the industry at large to deliver product solutions that are more innovative, flexible, cost-efficient, and scalable than ever before. 

Dolby Laboratories is based in San Francisco with offices in over 20 countries around the globe.
Dolby Laboratories, Inc. Directory page

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