Cinema Technology Oct. 21, 2018
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Sponsors



Cielo is true proactive monitoring and support. Customers can access Cielo from any device connected to the internet, giving them the freedom to manage the customer experience outside the confines of their offices. Customers have circuit wide visibility into their theater operations so they are able to solve problems more efficiently.



Sony Digital Cinema 4K gives audiences an entertainment experience they’ll never forget in 2D or 3D. There’s a complete family of Sony 4K projection systems to suit every cinema operator, from small boutique screens to the largest multiplex. All our easy-to-use projectors deliver 4K resolution images that viewers love, bursting with rich colour and industry-leading 8000:1 average contrast ratio. Sony’s SRX-R500 series of projectors are also HDR-ready, meeting brightness and contrast requirements for screening the latest 4K movies mastered for High Dynamic Range presentation. Spectacular 4K images are matched by impressively low running costs. The long-lasting HPM multi-lamp array in all our SRX-R500 Series projectors is more energy efficient than traditional Xenon lamps, reducing routine maintenance and cutting the risk of revenue-threatening dark screens. A compelling choice for the big screens, our Premium Large Format (PLF) projection solution outshines costly first generation laser systems, with unrivalled 4K picture quality at light levels up to 60,000 lumens.

 





USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.



Bardan Cinema has been a leader in cinema equipment sales in Latin America and the Caribbean for over 40 years. With a well-established reputation and broad customer base that spans independent boutique theaters to large multiplexes, Bardan provides total solutions and services ranging from cinema design, equipment sales, installation, monitoring and VPF implementation. In collaboration with D-Cinema NOC, Bardan now offers comprehensive 24/7/365 proactive monitoring and remote support to exhibitors throughout the region.



Unique X, Based in the UK, is a new brand for the future of digital cinema, providing intelligent autonomous solutions and content services.  Unique X operates in 65 countries globally. To date, more than 70 million GB of data have been transferred, and over 60 million advertising playlists have been delivered. Solutions include RosettaBridge TMS, RosettaNet Estate Management System, Movie Transit (DCP Content Delivery Network), Basekey (KDM management), RosettaPOS (Point of Sale), RosettaLive (Event Streaming) and our pre-show products of Advertising Accord, Ad Transit and Smart Trailering.



Moving Image Technologies manufacturers and markets a full complement of cinema exhibition equipment and services to support the industry’s transition to digital cinema, including: custom engineering, systems design, integration, digital technology solutions for 3D, digital cinema, pre-feature on-screen advertising and components. Moving Image Technologies’ mission is to have the most talented, passionate people in cinema working to provide the best presentation tools for the cinema exhibition industry.



Dolby Laboratories develops and delivers products and technologies that make the entertainment experience more realistic and immersive. For four decades Dolby has been at the forefront of defining high-quality audio and surround sound in cinema, broadcast, home audio systems, cars, DVDs, headphones, games, televisions, and personal computers. Based in San Francisco with European headquarters in England, the company has entertainment industry liaison offices in New York and Los Angeles, and licensing liaison offices in London, Shanghai, Beijing, Hong Kong, and Tokyo.



Arts Alliance Media (AAM) is a global leader in digital cinema software and services,  offering cutting-edge solutions in software as well as installation, maintenance and support across the cinema ecosystem.



GDC Technology Limited is a digital cinema solutions provider. GDC Technology develops, manufactures and sells digital cinema servers, content storage systems, theatre management systems and network operations center software for digital cinema. In addition, GDC is the appointed worldwide certification services agent, with exclusivity in Asia to certify DTS:X immersive sound auditoriums for DTS, Inc. GDC also provides a suite of digital cinema products and services, including integrated projection systems, 3D products, projector lamps and silver screens. GDC's subsidiary, GDC Digital Cinema Network Limited, manages VPF for approximately 5,000 theater screens and 250 motion picture distributors worldwide.



NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.



DCIP is the largest digital cinema integrator in the world and provides industry leading software and management solutions to exhibitors and distributors. 

Cinergy is an enterprise suite of tools that helps you track, monitor, and efficiently manage cinema operations in one centralized platform.




Qube Cinema is committed to creating a seamless world of Digital Cinema with products that are innovative, powerful, reliable and cost-effective. Qube Cinema is a company with a passion for cinema and a thorough understanding of film, video, audio and computer technology along with vast experience in the production, post-production and exhibition industries - a unique combination of expertise that has helped in the development of the company's digital cinema technology.



Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.



CES+ is the premier partner in cinema solutions. For the past 35 years has been a pioneer delivering innovative first-in-market technology and will revolutionize the industry with his one-of-a-kind Cinema-as-a-Service solution offering to become the disruptive facilitator of the evolution of the modern movie theater operation. CES+ is headquartered in Miami, Florida, and serves clients globally.




QSC Cinema is the global leader in signal processing, power amplifiers, and loudspeakers for all cinema applications. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.



Cinionic is transforming cinema, providing comprehensive WOW entertainment solutions to movie exhibitors across the globe. We help turn imagination into reality and ensure peace of mind for our customers by offering innovative services and flexible use of capital for a new era. Combining the technology expertise and heritage of our partners, Cinionic powers exceptional experiences across the entire theater to engage visitors at multiple touchpoints in their cinema journey. 

Industry



The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
 




The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.



For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. 



The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema. 

Shows & Events



CineAsia 2018, held at the Hong Kong Convention & Exhibition Centre on December 10-13, 2018.  Attendees will get the chance to hear about the current trends and new state-of-the-art technologies in the motion picture industry. Nowhere else in Asia can you accomplish as much in a short period of time to sustain, and help grow, your business in the year to come. Join your cinema exhibition, distribution, and motion picture industry colleagues to network; and see product presentations and screenings of major Hollywood films soon to be released in Asia. Attendees will also get the opportunity to visit the Trade Show where you will find the latest equipment, products, and technologies to help make your theatre a must-attend destination.





ShowEast 2018,  held in Miami from October 22-25, 2018 at the Loews Miami Beach, features a range of exclusive product presentations and screenings from both Independent and Major Hollywood studios to help you make important programming decisions for the 4th quarter box office.  Powerhouse seminars offer valuable insight from top executives on the latest industry trends and concerns; while our EXPO experience offers delegates a glance at the latest and best technologies, entertainment, services, comforts, and conveniences to make their theatres must-attend destinations.  ShowEast’s International program draws a large contingency of Latin and South American delegates – more than any other convention of its kind. A one and a half day program dedicated to the latest content and concerns and within this rising region.



CinemaCon, held April 1-4 2019 at Caesars Palace in Las Vegas, is expected play host to more than 6,000 motion picture theater industry professionals. Since taking its first step in 2011, CinemaCon has evolved and grown to become the largest and most important gathering for the worldwide motion picture theater industry. CinemaCon is truly a global event attracting attendees from more than 80 countries.



Emerging Cinema Markets Conference, to be held November 20 -22, 2018 at the Swissôtel The Bosphorus, Istanbul. The Emerging Cinema Markets Conference will focus on Turkey, Middle East, Central Asia, Balkans and Africa and will include key speakers and presenters to outline opportunities and issues for the industry. The Emerging Cinema Markets in Turkey, Central Asia, the Middle East, Balkans and Africa are at an early stage in their growth and development, but in combination they offer a significant opportunity for investors, studios, distributors, exhibitors and the specialist supply chains to the industry



The MENA Cinema Forum will be held October 28-29, 2018 at the Grand Hyatt Dubai, United Arab Emirates. 
The MENA region is one of the fastest growing markets for the cinema industry.  The MENA Cinema Forum will bring together the entire spectrum of stakeholders involved within the cinema sector including but not limited to local and international governments, investment companies, mall owners, cinema operators and exhibitors, suppliers and industry leaders, to address the growing requirements of the cinema market within the region.



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PARIS, France and BURBANK, Calif—Nov 10, 2005

Thomson Secures Wide-Ranging Hollywood Studio Support For Significant Digital Cinema Rollout

DreamWorks, Sony Pictures, Universal Pictures and Warner Bros. Sign Agreements to Utilize Digital Projection Systems from Technicolor Digital Cinema in 5,000 Screens in the United States and Canada; Twentieth Century Fox, New Line Cinema and Weinstein Comp
Thomson (Euronext 18453; NYSE: TMS) today announced that its Services division has reached digital cinema usage agreements with DreamWorks, Sony Pictures, Universal Pictures, and Warner Bros. to accelerate the deployment of digital cinema systems in North America. In addition, the company is in late stage negotiations with Twentieth Century Fox, New Line Cinema, and The Weinstein Company, and expects these studios to be part of the initial deployment.

Under the separate, long-term agreements, each of the studios has agreed to distribute content digitally throughout the United States and Canada, and pay a virtual print fee for screens equipped with Technicolor Digital Cinema systems, beginning as early as the first quarter of 2006. Studio support for Technicolor Digital Cinema covers an initial rollout of complete digital projection systems in up to 5,000 DCI-compliant screens over the next 3-4 years. It is the strategic intention of Thomson to deploy at least 15,000 digitally-equipped screens in the United States and Canada, through the initial rollout and additional phases, over the next 10 years.

The studios included in this announcement have accounted for over $5.4 billion of the $7.2 billion total year-to-date box office revenue in North America in 2005. Thomson is currently in negotiations with other film studios to expand the range of its non-exclusive content agreements. Thomson is also in ongoing discussions with regional and national exhibition chains to finalize plans to begin the deployment of digital cinema installations in early 2006.

Today’s agreements support Thomson’s strategic intent to strengthen its leading role in the services associated with end-to-end digital content preparation, distribution, and exhibition. Thomson’s intended role includes the management of the rollout of digital cinema projection systems covered by this announcement, plus postproduction services, network services, including distribution, and the supply of equipment.

“Thomson’s digital cinema plan is a clear example of our customers’ trust in our ability to deliver the services they need today and in the future,” said Frank Dangeard, Chairman and Chief Executive Officer of Thomson. “We believe that managing this transition requires a technology shift for the entire industry, a move which Thomson is best-placed to handle. These agreements also support Thomson’s strategy of expanding its client base and being a leading service provider to the entertainment industry. Having worked for several years with Hollywood to craft the right launch for digital cinema at the right time, we are also uniquely positioned to support the movie industry in other parts of the world in achieving this shift.”

“We are pleased to be part of the Technicolor Digital Cinema rollout,” said Jim Tharp, Head of Distribution at DreamWorks. “The Technicolor business model makes the transition to digital cinema economically sensible. In addition, we believe that theatre owners and the movie-going audience will enjoy the vibrant picture and sound available through digital distribution as each subsequent showing will look as good as the first.”

“This is a significant development in the evolution to digital distribution of our motion pictures,” said Jeff Blake, Vice Chairman of Sony Pictures Entertainment and Chairman of worldwide marketing and distribution for Columbia Tri-Star Motion Picture Group. “The Technicolor Digital Cinema business model was compelling, and this agreement ensures that our content will be displayed with the quality and reliability we require, and consumers demand.”

“In our continued effort to be proactive in the transition to digital cinema, Universal is pleased to have entered into this agreement along with other studio partners,” said Nikki Rocco, President of Distribution, Universal Pictures. “As digital technology in theatres continues to evolve, we see only great benefits to the movie-going public.”

“Technicolor has been a trusted service provider to Hollywood for many years and their expertise in both film and digital cinema is unmatched in the industry,” said Chris Cookson, President, Warner Bros. Technical Operations & Chief Technology Officer, Warner Bros. Entertainment “We are excited to pursue the next phase of the long-awaited rollout of digital cinema.”

“We are impressed with the thoroughness of the Technicolor Digital Cinema business plan and are very interested in exploring the future role it could play for the studios, exhibitors, and the movie-going public,” said David Tuckerman, President, New Line Cinema Distribution. “We look forward to being a part of this venture as Technicolor initiates its digital cinema rollout early next year.”

Bob and Harvey Weinstein, co-chairmen of The Weinstein Company, jointly said, “The development of digital cinema and the broad-based industry support for the Technicolor Digital Cinema plan is good news for filmmakers as it will expand our creative flexibility and exhibition options. We have selected Thomson to be our partner in film, post production and DVD services and we look forward to finalizing our digital cinema agreement in time for the initial deployment.”

Business Model and Financing
Under the business model for the digital cinema rollout, the studios will continue to book films directly with exhibitors, and if a booked screen is equipped with a Technicolor Digital Cinema system, the studio will pay Thomson a virtual print fee for usage of the digital equipment. Current estimates of the total cost of installed digital cinema systems are in the $90,000 – 100,000 range per screen.

The business model has been structured to allow the rollout to be financed from a variety of sources, including equipment vendors and financial partners. With today’s agreements in place, Thomson can now focus on sourcing the optimal financing structure for this rollout.

This announcement comes shortly after the publication of the Digital Cinema Initiatives LLC (DCI) industry specifications for digital cinema. The Technicolor Digital Cinema plan will be technology agnostic, allowing both exhibitors and studios to benefit from the best available technology, including both 2K and 4K projection.

This plan provides an industry-wide digital cinema framework addressing all aspects of the much-anticipated digital cinema rollout: full output long-term content commitments by multiple Hollywood film studios; the widespread deployment of digital projection systems with exhibitors, and a broad industry commitment for the installation, operation, and financing of those systems through a proven, experienced service provider.

By launching a program with a plan to convert at least 15,000 screens in the United States and Canada, Thomson further believes it will have the scale to support all interested exhibitors in a move to digital cinema, from large chains through independents. In response to exhibitor and studio requests, Thomson will start its rollout with a “beta test” to prove DCI equipment operates in a commercial environment at the very high level which all parties require.

Today’s announcement demonstrates Thomson’s commitment to enabling the transition to digital forms of distribution for its customers. Thomson will manage revenues flow from both physical/analog environment as of today (print fees and distribution charges), and from the digital cinema environment (virtual print fees and distribution charges). Thomson estimates that the opportunities from the market for digital cinema services are at least as great as from today’s $1.5 billion global film print and distribution market.
 


About Technicolor: Technicolor, a worldwide technology leader in the media and entertainment sector, is at the forefront of digital innovation. Our world class research and innovation laboratories enable us to lead the market in delivering advanced video services to content creators and distributors. We also benefit from an extensive intellectual property portfolio focused on imaging and sound technologies, based on a thriving licensing business. Our commitment: Enhance media experience on any screen, in theaters, at home and on the go. Technicolor Directory page

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More Technicolor News:
Apr 23, 2015 Deluxe and Technicolor Launch Joint Venture in Digital Cinema
Sep 26, 2013 Technicolor Enters Digital Cinema Strategic Partnership with EFS Media Group
Apr 17, 2013 Technicolor and GDC Technology enter Digital Cinema Strategic Alliance
Nov 7, 2012 Dutch FilmWorks signs up to Technicolor’s MediAffinity
Nov 6, 2012 Technicolor Grows Nordic Distribution Network with New Partnership
Nov 2, 2012 Technicolor and Contenido Alternativo enter Digital Cinema Strategic Alliance
Aug 29, 2012 Technicolor Grows European Electronic Film Distribution Network
Jul 12, 2012 Avatar Colorist Skip Kimball Joins Technicolor
Apr 26, 2012 Technicolor Partners with Theatres at Mall of America® for Terrestrial Electronic Distribution for Feature & Trailer Content
Nov 10, 2011 Cinedigm Digital Cinema Corp. Closes Deal to Sell Digital Delivery Assets to Technicolor
Jul 27, 2011 Technicolor Launches Franchise Licensing Program with the Establishment of Technicolor PostWorks New York
Jul 27, 2011 Technicolor Expands its Post Production Capacities on West Coast with the Acquisition of LaserPacific
Jul 27, 2011 Technicolor Expands Footprint in Digital Cinema Distribution
Oct 12, 2010 Technicolor and Marcus Theatres® Pact to Deploy Technicolor 3D
Aug 11, 2010 Technicolor 3D Surpasses 250 Screens in North America
Mar 17, 2010 Technicolor 3D Launches in North America on More than 150 Screens
Mar 2, 2010 Technicolor and Bow Tie Cinemas Pact to Deploy Technicolor 3D
Jan 6, 2010 Technicolor Brings 3D to the Home and Beyond
Oct 28, 2009 Industry Aligns to Fund Film 3D Rollout to Exhibitors
Oct 22, 2009 Strong Industry Support Accelerates Technicolor 3D Rollout
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