Cinema Technology Jun. 25, 2019
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April 2018

We have recently upgraded our login system.  An account is not required, but necessary to set your preferences and edit company information.  If you have previously registered, you can log in again using the same email address and password.  You can reset your password by following the "forgot password?" link on the login page.

  • You can now log in using your external account from GoogleTwitter or LinkedIn.  More services may be added.  Contact DCinemaToday for more information. You may still need to add (and confirm) your email address if its not provided by the external login provider.
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  • A login account allows you to request edit permissions for your company listing.  This permission is granted on a request basis to authorized employees and business principals.  More information on requesting to updating company information is available on the Account Manage page.  Once authorized, the companies you can update will be listed in the Authorizations section of your Account Manage page. 
  • A login account allows you to set the order of the Market Focus tabs on the DCinemaToday Home page.  You can set any tab as your default starting tab. To do this, go to the Tab Preferences section of the Account Manage page   (Desktop only - not yet ready for the Mobile App.)   More user-specific features are under development, so we recommend you log in when possible.
Please  Contact DCinemaToday  with any questions, feedback, issues, or bug reports .
Sponsors



Bardan Cinema has been a leader in cinema equipment sales in Latin America and the Caribbean for over 40 years. With a well-established reputation and broad customer base that spans independent boutique theaters to large multiplexes, Bardan provides total solutions and services ranging from cinema design, equipment sales, installation, monitoring and VPF implementation. In collaboration with D-Cinema NOC, Bardan now offers comprehensive 24/7/365 proactive monitoring and remote support to exhibitors throughout the region.



Unique X, Based in the UK, is a new brand for the future of digital cinema, providing intelligent autonomous solutions and content services.  Unique X operates in 65 countries globally. To date, more than 70 million GB of data have been transferred, and over 60 million advertising playlists have been delivered. Solutions include RosettaBridge TMS, RosettaNet Estate Management System, Movie Transit (DCP Content Delivery Network), Basekey (KDM management), RosettaPOS (Point of Sale), RosettaLive (Event Streaming) and our pre-show products of Advertising Accord, Ad Transit and Smart Trailering.



Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.



CES+ is the premier partner in cinema solutions. For the past 35 years has been a pioneer delivering innovative first-in-market technology and will revolutionize the industry with his one-of-a-kind Cinema-as-a-Service solution offering to become the disruptive facilitator of the evolution of the modern movie theater operation. CES+ is headquartered in Miami, Florida, and serves clients globally.




GDC Technology Limited is a digital cinema solutions provider. GDC Technology develops, manufactures and sells digital cinema servers, content storage systems, theatre management systems and network operations center software for digital cinema. In addition, GDC is the appointed worldwide certification services agent, with exclusivity in Asia to certify DTS:X immersive sound auditoriums for DTS, Inc. GDC also provides a suite of digital cinema products and services, including integrated projection systems, 3D products, projector lamps and silver screens. GDC's subsidiary, GDC Digital Cinema Network Limited, manages VPF for approximately 5,000 theater screens and 250 motion picture distributors worldwide.



CIELO is true proactive monitoring and support. Customers can access CIELO from any device connected to the internet, giving them the freedom to manage the customer experience outside the confines of their offices. Customers have circuit wide visibility into their theater operations so they are able to solve problems more efficiently.



NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.



Dolby Laboratories has been a leader in developing many groundbreaking technologies and advancing the science of sight and sound for more than 50 years. Based in San Francisco with offices around the world, Dolby, through industry-leading research and engineering innovation, is expanding creative possibilities and enhancing collaborative relationships spanning musicians, filmmakers, and other artists as well as with businesses and consumers globally. Along with its partners, Dolby creates and delivers incredibly vivid experiences transforming entertainment and communications at the cinema, at home, on the go in mobile devices, and at work. Dolby Laboratories develops and delivers products and technologies that make entertainment experiences more realistic and immersive. By giving everyone the power to see, hear and feel the spectacular, Dolby is ideally positioned to transform the future of audio, voice, and imaging experiences worldwide.



USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.



welcome to Cinionic
welcome to wow

These days, it’s no longer just about technology, it’s about experiences – WOW experiences. We are a team of cinema and technology experts from around the globe – Barco, ALPD, and CGS – who help you in creating surprising experiences.  We combine innovative cinema technologies with our unique and comprehensive service models to guarantee your peace of mind. So you can focus on new ways to surprise and delight your customers for years to come. Together, we engage to deliver a world-class cinema experience - the one you’ve been waiting for.





Sony Digital Cinema 4K gives audiences an entertainment experience they’ll never forget in 2D or 3D. There’s a complete family of Sony 4K projection systems to suit every cinema operator, from small boutique screens to the largest multiplex. All our easy-to-use projectors deliver 4K resolution images that viewers love, bursting with rich colour and industry-leading 8000:1 average contrast ratio. Sony’s SRX-R500 series of projectors are also HDR-ready, meeting brightness and contrast requirements for screening the latest 4K movies mastered for High Dynamic Range presentation. Spectacular 4K images are matched by impressively low running costs. The long-lasting HPM multi-lamp array in all our SRX-R500 Series projectors is more energy efficient than traditional Xenon lamps, reducing routine maintenance and cutting the risk of revenue-threatening dark screens. A compelling choice for the big screens, our Premium Large Format (PLF) projection solution outshines costly first generation laser systems, with unrivalled 4K picture quality at light levels up to 60,000 lumens.

 





DTS:X transports you into a new dimension of sound immersion by delivering truly captivating entertainment experiences. Be prepared -- this improved lifelike immersion and heightened realism makes horror movies scarier, comedies more laugh-out-loud, and car chase scenes even more intense. Movies are being shown with DTS:X sound at an ever-growing number of theaters in the U.S., China and Europe.





Moving Image Technologies manufacturers and markets a full complement of cinema exhibition equipment and services to support the industry’s transition to digital cinema, including: custom engineering, systems design, integration, digital technology solutions for 3D, digital cinema, pre-feature on-screen advertising and components. Moving Image Technologies’ mission is to have the most talented, passionate people in cinema working to provide the best presentation tools for the cinema exhibition industry.



Qube Cinema is committed to creating a seamless world of Digital Cinema with products that are innovative, powerful, reliable and cost-effective. Qube Cinema is a company with a passion for cinema and a thorough understanding of film, video, audio and computer technology along with vast experience in the production, post-production and exhibition industries - a unique combination of expertise that has helped in the development of the company's digital cinema technology.



QSC Cinema is the global leader in signal processing, power amplifiers, and loudspeakers for all cinema applications. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.



DCIP is the largest digital cinema integrator in the world and provides industry leading software and management solutions to exhibitors and distributors. 

Cinergy is an enterprise suite of tools that helps you track, monitor, and efficiently manage cinema operations in one centralized platform.




Arts Alliance Media (AAM) is a global leader in digital cinema software and services,  offering cutting-edge solutions in software as well as installation, maintenance and support across the cinema ecosystem.

Industry Partners



The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema. 



The Union Internationale des Cinémas/International Union of Cinemas (UNIC) represents the interests of cinema trade associations and cinema operators covering 37 countries in Europe and neighboring regions.​ ​





The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
 




The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.



For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. 

Shows & Events



ShowEast 2019,  held in Miami from Oct 14-17 2019 at the  Fontainebleau Miami Beach, features a range of exclusive product presentations and screenings from both Independent and Major Hollywood studios to help you make important programming decisions for the 4th quarter box office.  Powerhouse seminars offer valuable insight from top executives on the latest industry trends and concerns; while our EXPO experience offers delegates a glance at the latest and best technologies, entertainment, services, comforts, and conveniences to make their theatres must-attend destinations.  ShowEast’s International program draws a large contingency of Latin and South American delegates – more than any other convention of its kind. A one and a half day program dedicated to the latest content and concerns and within this rising region.



CineEurope 2020 to be held June 22th - 25th, 2022, promises to bring you another year with the very best in exclusive studio screenings and product presentations, cinematic technologies and innovations and educational seminars to keep your business on top of industry trends.

Produced by The Film Expo Group, CineEurope is the official convention of the International Union of Cinemas (UNIC), an international trade association representing cinema exhibitors and their national associations across 37 European territories whose focus is to better promote the social, cultural and economic value of cinemas in Europe and internationally.




CineAsia will take place at the Hong Kong Convention & Exhibition Centre on December 9-12, 2019.  Nowhere else in Asia can you accomplish as much in a short period of time to sustain, and help grow your business in the year to come. Join your cinema exhibition, distribution, and motion picture industry colleagues for 4 days of networking and product presentations and screening of major Hollywood films soon to be released. CineAsia attendees will also get an opportunity to visit the Trade Show where you can learn about the latest equipment, products, and technologies to stay ahead of the trends.


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LOS ANGELES—Feb 13, 2007

Entertainment Industry Leader Charles S. Swartz Passes Away

Veteran Producer, Innovator, and Communicator Shaped Landmark Entertainment Technology Center at USC
Charles Swartz, respected throughout the entertainment industry and academia for his role in shepherding innovations that broke new ground in cinematic content, distribution, and display, passed away on February 10 from pneumonia, his family announced today.

Swartz, 67, was an important catalyst in the industry's current transition to digital cinema; edited the definitive book on the subject, Understanding Digital Cinema; and brought together key organizations and thinkers worldwide to help move forward feature film and the technologies that make it possible. An educator and communicator known for his vision, patience, and boundless energy, Swartz is survived by his wife, writer/director Stephanie Rothman.

"Charles' impact on entertainment was both exceptional and profound," said Elizabeth M. Daley, dean of the USC School of Cinematic Arts. "That impact stemmed not only from his vast experience, but also from a deep passion for the dramatic role entertainment plays in shaping the lives of millions of people around the globe," she added.

From 2002 to summer 2006, Swartz was CEO of the Entertainment Technology Center at the University of Southern California (ETC-USC). Drawing on his industry and academic background, he reinvigorated and refocused the research center, providing the entertainment and technology industries with a venue to reach common ground on crucial creative and technical issues.

Among his accomplishments were building ETC-USC's Digital Cinema Lab into the entertainment industry's premier test bed for new digital cinema technologies; laying the groundwork for an extensive digital home research center; and growing ETC-USC into a vital educational center for entertainment professionals. Swartz produced such important events as the Digital Cinema Summit at NAB, Other Digital Stuff: Expanding the In-Theater Experience, the Digital Screening Series and the Entertainment Technology Summit.

Prior to heading ETC-USC, Swartz was the director of business development for the entertainment industry at Anderson Consulting (now Accenture), and then director of integrated strategy for media and entertainment at the e-business consulting firm Sapient. When Sapient closed its media sector, Swartz founded Charles S. Swartz Consulting to connect entertainment clients with companies exploring the potential of broadband wireless.

Before bringing his expertise to the consultancy field, Swartz was an education specialist and program manager at UCLA Extension's Department of Entertainment Studies and Performing Arts, where he created a trendsetting curriculum that was one of the first to embrace the rise of digital technology and business in entertainment and that set new standards for film and television education.

Swartz began his career in film and television production at Warner Bros. Television and then served as head of production at Roger Corman's New World Pictures, as well as EVP of acquisition and production at Dimension Pictures. His was the producer of eight feature films, six of which he co-wrote.

Swartz was an active member of SMPTE since 1985. He served as governor from the Hollywood Region in 2004-2005. From 1992 to 1994, 1995 to 1997, and again from 2002-2003, he was manager of the Hollywood section. He was also a member of the Hollywood section education committee (beginning 1991) and a member of the Lou Wolf Memorial Scholarship Committee (beginning 2002). In 2004, SMPTE named Swartz a Fellow. In addition, Swartz was the treasurer/co-chair of the program committee of the Hollywood Post Alliance and a member of the Board of Directors of Digital Coast Roundtable.

Swartz graduated magna cum laude and Phi Beta Kappa from Yale University and did graduate studies at the USC School of Cinematic Arts. In 1996, the Los Angeles Business Journal named him one of 100 technology leaders in Los Angeles.


About Entertainment Technology Center-USC: The Entertainment Technology Center at the University of Southern California (ETC@USC) is a think tank and research center that brings together senior executives, innovators, thought leaders, and catalysts from the media & entertainment, consumer electronics, technology, and services industries along with the academic resources of the University of Southern California to explore and to act upon topics and issues related to the creation, distribution, and consumption of entertainment content. The ETC@USC Executive Board includes: Disney, Fox, Universal, Sony Pictures, Paramount, Warner Bros, Lucasfilm, USC School of Cinematic Arts, Iron Mountain, Cisco, Technicolor and NAGRA Kudelski Group. Entertainment Technology Center-USC Directory page
About USC School of Cinematic Arts: About the USC School of Cinematic Arts cinema.usc.edu Since 1929, the USC School of Cinematic Arts has fueled and mirrored the growth of entertainment as an industry and an art form. The school offers comprehensive programs in directing, producing, writing, critical studies, animation and digital arts, production, and interactive media, all backed by a broad liberal arts education and taught by leading practitioners in each field. Its more than 10,000 alumni are among the world¹s most distinguished animators, scholars, teachers, writers, directors, producers, cinematographers, editors, sound experts and industry executives. Since 1973 not a year has passed without an alumnus or alumna being nominated for an Academy Award. USC School of Cinematic Arts Directory page

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More Entertainment Technology Center-USC News:
Apr 17, 2018 NAGRA and the Entertainment Technology Center @University of Southern California Partner on Fandom Genomics for myCinema, NAGRA’s Alternative Content and Live Event Service
Jun 30, 2009 3D Entertainment Summit Announces Variety and ETC @ USC as Partners

Feb 8, 2007 NAB2007 to Feature Sixth Annual Digital Cinema Summit
SMPTE Logo
Technical, creative and business issues raised by the digital cinema roll-out will be the focus of the Digital Cinema Summit at NAB2007, it was announced today by conference partners NAB, the Entertainment Technology Center at University of Southern California (ETC@USC) and the Society of Motion Picture and Television Engineers (SMPTE). The two-day event will feature keynotes, case studies and panels examining real world successes and challenges across the entire digital motion picture release chain from production and post production through theatrical exhibition, to multi-platform, digital release. The Digital Cinema Summit takes place Saturday, April 14 and Sunday April 15 at the Las Vegas Convention Center.

Oct 26, 2006 Entertainment Technology Center Relocates Digital Cinema Lab to USC
Jul 19, 2006 Entertainment Technology Center at USC Announces Retirement of Executive Director/CEO Charles S. Swartz
Jul 13, 2006 Entertainment Technology Center at USC and Keio University's DMC Form Digital Entertainment Alliance
Feb 28, 2006 James Cameron to Keynote at NAB 2006 Digital Cinema Summit
SMPTE Logo
Director James Cameron (ALIENS OF THE DEEP, TITANIC), a pioneer in using new technologies including digital 3D, will deliver the Sunday keynote at NAB2006’s Digital Cinema Summit. Cameron, who consistently takes filmmaking into new territories, will address near and far horizons for digital 3D. In addition, National Association of Theatre Owners (NATO) president John Fithian will join Cameron in a Sunday afternoon dialogue that will bring together two industry leaders with overlapping goals and concerns. The pair will explore the future of the theatre going experience, digital cinema and digital 3D. Cameron’s keynote will take place at 9:00 AM and the Cameron/Fithian dialogue at 1:30 PM on Sunday, April 23, 2006, at the Las Vegas Convention Center South Hall.

Feb 14, 2006 “Other Digital Stuff: Expanding the In-Theatre Experience” Announces Content and Speaker Line-Up
Feb 2, 2006 “Other Digital Stuff: Expanding the In-Theatre Experience” Launched By Entertainment Technology Center at USC
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