Cinema Technology Jun. 24, 2019
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Sponsors



Bardan Cinema has been a leader in cinema equipment sales in Latin America and the Caribbean for over 40 years. With a well-established reputation and broad customer base that spans independent boutique theaters to large multiplexes, Bardan provides total solutions and services ranging from cinema design, equipment sales, installation, monitoring and VPF implementation. In collaboration with D-Cinema NOC, Bardan now offers comprehensive 24/7/365 proactive monitoring and remote support to exhibitors throughout the region.



Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.



Dolby Laboratories has been a leader in developing many groundbreaking technologies and advancing the science of sight and sound for more than 50 years. Based in San Francisco with offices around the world, Dolby, through industry-leading research and engineering innovation, is expanding creative possibilities and enhancing collaborative relationships spanning musicians, filmmakers, and other artists as well as with businesses and consumers globally. Along with its partners, Dolby creates and delivers incredibly vivid experiences transforming entertainment and communications at the cinema, at home, on the go in mobile devices, and at work. Dolby Laboratories develops and delivers products and technologies that make entertainment experiences more realistic and immersive. By giving everyone the power to see, hear and feel the spectacular, Dolby is ideally positioned to transform the future of audio, voice, and imaging experiences worldwide.



Arts Alliance Media (AAM) is a global leader in digital cinema software and services,  offering cutting-edge solutions in software as well as installation, maintenance and support across the cinema ecosystem.



DTS:X transports you into a new dimension of sound immersion by delivering truly captivating entertainment experiences. Be prepared -- this improved lifelike immersion and heightened realism makes horror movies scarier, comedies more laugh-out-loud, and car chase scenes even more intense. Movies are being shown with DTS:X sound at an ever-growing number of theaters in the U.S., China and Europe.





welcome to Cinionic
welcome to wow

These days, it’s no longer just about technology, it’s about experiences – WOW experiences. We are a team of cinema and technology experts from around the globe – Barco, ALPD, and CGS – who help you in creating surprising experiences.  We combine innovative cinema technologies with our unique and comprehensive service models to guarantee your peace of mind. So you can focus on new ways to surprise and delight your customers for years to come. Together, we engage to deliver a world-class cinema experience - the one you’ve been waiting for.





NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.



Moving Image Technologies manufacturers and markets a full complement of cinema exhibition equipment and services to support the industry’s transition to digital cinema, including: custom engineering, systems design, integration, digital technology solutions for 3D, digital cinema, pre-feature on-screen advertising and components. Moving Image Technologies’ mission is to have the most talented, passionate people in cinema working to provide the best presentation tools for the cinema exhibition industry.



Qube Cinema is committed to creating a seamless world of Digital Cinema with products that are innovative, powerful, reliable and cost-effective. Qube Cinema is a company with a passion for cinema and a thorough understanding of film, video, audio and computer technology along with vast experience in the production, post-production and exhibition industries - a unique combination of expertise that has helped in the development of the company's digital cinema technology.



DCIP is the largest digital cinema integrator in the world and provides industry leading software and management solutions to exhibitors and distributors. 

Cinergy is an enterprise suite of tools that helps you track, monitor, and efficiently manage cinema operations in one centralized platform.




GDC Technology Limited is a digital cinema solutions provider. GDC Technology develops, manufactures and sells digital cinema servers, content storage systems, theatre management systems and network operations center software for digital cinema. In addition, GDC is the appointed worldwide certification services agent, with exclusivity in Asia to certify DTS:X immersive sound auditoriums for DTS, Inc. GDC also provides a suite of digital cinema products and services, including integrated projection systems, 3D products, projector lamps and silver screens. GDC's subsidiary, GDC Digital Cinema Network Limited, manages VPF for approximately 5,000 theater screens and 250 motion picture distributors worldwide.



CES+ is the premier partner in cinema solutions. For the past 35 years has been a pioneer delivering innovative first-in-market technology and will revolutionize the industry with his one-of-a-kind Cinema-as-a-Service solution offering to become the disruptive facilitator of the evolution of the modern movie theater operation. CES+ is headquartered in Miami, Florida, and serves clients globally.




QSC Cinema is the global leader in signal processing, power amplifiers, and loudspeakers for all cinema applications. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.



USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.



Sony Digital Cinema 4K gives audiences an entertainment experience they’ll never forget in 2D or 3D. There’s a complete family of Sony 4K projection systems to suit every cinema operator, from small boutique screens to the largest multiplex. All our easy-to-use projectors deliver 4K resolution images that viewers love, bursting with rich colour and industry-leading 8000:1 average contrast ratio. Sony’s SRX-R500 series of projectors are also HDR-ready, meeting brightness and contrast requirements for screening the latest 4K movies mastered for High Dynamic Range presentation. Spectacular 4K images are matched by impressively low running costs. The long-lasting HPM multi-lamp array in all our SRX-R500 Series projectors is more energy efficient than traditional Xenon lamps, reducing routine maintenance and cutting the risk of revenue-threatening dark screens. A compelling choice for the big screens, our Premium Large Format (PLF) projection solution outshines costly first generation laser systems, with unrivalled 4K picture quality at light levels up to 60,000 lumens.

 





Unique X, Based in the UK, is a new brand for the future of digital cinema, providing intelligent autonomous solutions and content services.  Unique X operates in 65 countries globally. To date, more than 70 million GB of data have been transferred, and over 60 million advertising playlists have been delivered. Solutions include RosettaBridge TMS, RosettaNet Estate Management System, Movie Transit (DCP Content Delivery Network), Basekey (KDM management), RosettaPOS (Point of Sale), RosettaLive (Event Streaming) and our pre-show products of Advertising Accord, Ad Transit and Smart Trailering.



CIELO is true proactive monitoring and support. Customers can access CIELO from any device connected to the internet, giving them the freedom to manage the customer experience outside the confines of their offices. Customers have circuit wide visibility into their theater operations so they are able to solve problems more efficiently.

Industry Partners



The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema. 



For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. 



The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.



The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
 




The Union Internationale des Cinémas/International Union of Cinemas (UNIC) represents the interests of cinema trade associations and cinema operators covering 37 countries in Europe and neighboring regions.​ ​



Shows & Events



CineEurope 2019, to be held June 17th - 19th, 2019, promises to bring you another year with the very best in exclusive studio screenings and product presentations, cinematic technologies and innovations and educational seminars to keep your business on top of industry trends.

Produced by The Film Expo Group, CineEurope is the official convention of the International Union of Cinemas (UNIC), an international trade association representing cinema exhibitors and their national associations across 37 European territories whose focus is to better promote the social, cultural and economic value of cinemas in Europe and internationally.




ShowEast 2019,  held in Miami from Oct 14-17 2019 at the  Fontainebleau Miami Beach, features a range of exclusive product presentations and screenings from both Independent and Major Hollywood studios to help you make important programming decisions for the 4th quarter box office.  Powerhouse seminars offer valuable insight from top executives on the latest industry trends and concerns; while our EXPO experience offers delegates a glance at the latest and best technologies, entertainment, services, comforts, and conveniences to make their theatres must-attend destinations.  ShowEast’s International program draws a large contingency of Latin and South American delegates – more than any other convention of its kind. A one and a half day program dedicated to the latest content and concerns and within this rising region.



CineAsia will take place at the Hong Kong Convention & Exhibition Centre on December 9-12, 2019.  Nowhere else in Asia can you accomplish as much in a short period of time to sustain, and help grow your business in the year to come. Join your cinema exhibition, distribution, and motion picture industry colleagues for 4 days of networking and product presentations and screening of major Hollywood films soon to be released. CineAsia attendees will also get an opportunity to visit the Trade Show where you can learn about the latest equipment, products, and technologies to stay ahead of the trends.


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Las Vegas, USA—Mar 15, 2005

Singapore Enables Digital Cinema Transmission Across Continents

Infocomm Development Authority of Singapore, SiTF Digital Media Chapter and Entertainment Technology Center (USC) Bring Together Industry Partners to Pilot and Establish Viable Model for Digital Delivery
In a significant industry development, the Singapore government, and industry association SiTF Digital Media Chapter (Singapore), with the Entertainment Technology Center (ETC) at the University of Southern California (USA), brought together leading industry players to develop a viable model for digital delivery across continents from USA to Asia. Initial tests of the pilot, the ‘Cross-Continent Digital Content Transmission’ or CCTx, established a secure, reliable and cost-effective digital delivery workflow.

This was announced by the Infocomm Development Authority of Singapore (IDA) at ShoWest 2005, Las Vegas, USA.

The CCTx pilot involves seamless end-to-end digital delivery from initial processing in the U.S. to appearance on a movie screen in Singapore. Partners involved in the initial tests of the pilot include SiTF DMC (for Singapore) and ETC at USC (ETC-USC) for project management, Thomson Technicolor for project consulting, GlobeCast, StarHub and 1-Net for international and local circuit and data storage, Christie, Dell, Texas Instruments and XDC (EVS Group) for technology provision.

Successfully hubbed and managed out of Singapore, the initial tests of the pilot involved the digital transmission of 3 movie trailers: Elektra, The SpongeBob SquarePants Movie and StarWars Episode 3 from Culver City, Los Angeles in USA to 1-Net Data Centre in Singapore. A total file size of 3.3 GB were delivered digitally via managed ATM fibre. These trailers were then played back from a XDC Cinestore Solo Server with Omega Decoder through a Christie CP2000 projector.

Singapore’s Digital Cinema initiative, part of its Digital Exchange (DX) program, has gained momentum with the success of CCTx pilot. The DX initiative aims to extend Singapore’s hub status into the digital realm to distribute, processing and management of content through Singapore to the Asian markets.

“The CCTx paves the way for a complete viable model that allows studios to deliver content digitally to Singapore, securely store it, localize it, and then distribute it to the region. As a Digital Exchange, Singapore has the capability to ensure reliable and accountable management, processing and distribution of digital content and assets from United States to the rest of Asia,” said Hock Yun KHOONG, Assistant Chief Executive, Industry, IDA. “The pilot is also attracting more industry partners and support to address the issues facing digital delivery.”

According to Motion Picture Association of America’s former Senior Vice President, Mike Connors, “the pilot allows the industry to identify and resolve process and business issues critical to commercial adoption of a worldwide digital distribution system.”

The pilot also marks the a first time joint government-industry collaboration with the Singapore infocomm Technology Federation Digital Media Chapter (SiTF DMC) to develop a viable worldwide digital distribution model that can be commercialized.

Pak Lum MOCK, Chairman of SiTF DMC said, “By clustering the strengths of digital industry players in Singapore, we hope to create more partnership and business opportunities for them in Asia. The CCTx opens the door for such opportunities.”

Charles S. SWARTZ, Chief Executive Officer of ETC-USC said “For digital cinema to take off worldwide, a global, interoperable distribution system is necessary. Pilots such as CCTx are crucial to international deployment and ETC-USC is proud to facilitate the transmission of digital files between Singapore and Los Angeles.”

More partners will be involved in the CCTx pilot as it progresses to include different forms of content, transmission modes and digital processes such as localization and sub-titling. Key learnings from the pilot will be shared with industry players keen to shape and play a role in the future of digital delivery.


Digital Cinema Developments in Singapore

Most Digital Cinemas in Asia, After China and Japan
In 2004, Singapore launched the world’s first full 2K Digital Multiplex. Singapore currently has the highest number of 2K resolution digital cinema screens per capita in the world. Today, there are a total of 21 digital cinema screens in Singapore which translates to 15 per cent of the cinema network in Singapore. On a worldwide basis, Singapore has the fourth highest number of digital screens in the world, after USA, China and Japan.

More Digital Content & Content Offerings
To-date, more than 13 first run digital features have been screened in Singapore’s digital cinemas. These movies include Shark Tales, The Incredibles, National Treasury, Elektra, Kungfu Hustle and Infernal Affairs III. A range of alternative content was screened at the digital cinemas, including the ‘live’ telecast of the Oscars Award Ceremony 2004 and 2005 at Cathay Cinemas. In August 2004, Singapore’s National Day Parade was transmitted “live” for the first time via satellite to The Legends Fort Canning Club, owned by Eng Wah Organization, a local exhibitor.

Apart from digital cinemas, Singapore can also provide value-added services such as digital subtitling, provision of infrastructure and digital distribution of content to desired locations in the Asia Pacific region.

Singapore as Ideal Location for Processing, Management and Distribution of Digital Content
Singapore is ranked first in the World for Networked Readiness Index 2004 - 2005 in World Economic Forum’s latest Global Information Technology Report. In January 2005, Singapore was ranked as one of the Top Seven Intelligent Communities in the World by Intelligent Communities Forum (ICF) for its Digital Exchange vision, excellent Infocomm infrastructure and global connectivity.

Singapore is well-placed as the regional digital distribution hub for content leveraging on its cutting-edge infocomms infrastructure, well-established status as a business hub, competitive regulatory policies, strong IP rights protection and ready availability of skilled manpower.

Singapore already has over 1 million square feet of advanced data center space. It is one of the most connected cities in Asia with more than 16 Gbps of extensive and direct Internet connectivity to over 20 countries. This comprises 6 Gbps to the USA and over 8 Gbps to Asian cities such as Australia, Hong Kong, India, Japan, Korea, Malaysia and Vietnam. In addition, Singapore’s direct Internet connectivity to major ASEAN countries is at least 100 Mbps per country.

Singapore’s network infrastructure is also particularly well-suited for digital delivery of data centre space with its 26 Tbps of submarine cable capacity and international and regional telecoms connectivity to more than 100 countries.

Singapore’s recent launch of business continuity and disaster recovery standards means that the cinema industry can have a higher level of confidence in the security and reliability of the digital cinema data storage facilities.

Singapore was ranked first in Asia for Intellectual Property Rights Protection by PERC 2004 and Global Corruption Report, 2003, making it an excellent location for companies to securely store and distribute digital content.


About Entertainment Technology Center-USC: The Entertainment Technology Center at the University of Southern California (ETC@USC) is a think tank and research center that brings together senior executives, innovators, thought leaders, and catalysts from the media & entertainment, consumer electronics, technology, and services industries along with the academic resources of the University of Southern California to explore and to act upon topics and issues related to the creation, distribution, and consumption of entertainment content. The ETC@USC Executive Board includes: Disney, Fox, Universal, Sony Pictures, Paramount, Warner Bros, Lucasfilm, USC School of Cinematic Arts, Iron Mountain, Cisco, Technicolor and NAGRA Kudelski Group. Entertainment Technology Center-USC Directory page
About Infocomm Development Authority of Singapore: The Infocomm Development Authority of Singapore (IDA) is committed to growing Singapore into a dynamic global infocomm hub. IDA uses an integrated approach to developing infocommunications in Singapore. This involves nurturing a competitive telecoms market as well as a conducive business environment with programmes and schemes for both local and international companies. For more information, visit www.idanews.gov.sg Infocomm Development Authority of Singapore Directory page

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More Entertainment Technology Center-USC News:
Apr 17, 2018 NAGRA and the Entertainment Technology Center @University of Southern California Partner on Fandom Genomics for myCinema, NAGRA’s Alternative Content and Live Event Service
Jun 30, 2009 3D Entertainment Summit Announces Variety and ETC @ USC as Partners
Feb 13, 2007 Entertainment Industry Leader Charles S. Swartz Passes Away
Feb 8, 2007 NAB2007 to Feature Sixth Annual Digital Cinema Summit
SMPTE Logo
Technical, creative and business issues raised by the digital cinema roll-out will be the focus of the Digital Cinema Summit at NAB2007, it was announced today by conference partners NAB, the Entertainment Technology Center at University of Southern California (ETC@USC) and the Society of Motion Picture and Television Engineers (SMPTE). The two-day event will feature keynotes, case studies and panels examining real world successes and challenges across the entire digital motion picture release chain from production and post production through theatrical exhibition, to multi-platform, digital release. The Digital Cinema Summit takes place Saturday, April 14 and Sunday April 15 at the Las Vegas Convention Center.

Oct 26, 2006 Entertainment Technology Center Relocates Digital Cinema Lab to USC
Jul 19, 2006 Entertainment Technology Center at USC Announces Retirement of Executive Director/CEO Charles S. Swartz
Jul 13, 2006 Entertainment Technology Center at USC and Keio University's DMC Form Digital Entertainment Alliance
Feb 28, 2006 James Cameron to Keynote at NAB 2006 Digital Cinema Summit
SMPTE Logo
Director James Cameron (ALIENS OF THE DEEP, TITANIC), a pioneer in using new technologies including digital 3D, will deliver the Sunday keynote at NAB2006’s Digital Cinema Summit. Cameron, who consistently takes filmmaking into new territories, will address near and far horizons for digital 3D. In addition, National Association of Theatre Owners (NATO) president John Fithian will join Cameron in a Sunday afternoon dialogue that will bring together two industry leaders with overlapping goals and concerns. The pair will explore the future of the theatre going experience, digital cinema and digital 3D. Cameron’s keynote will take place at 9:00 AM and the Cameron/Fithian dialogue at 1:30 PM on Sunday, April 23, 2006, at the Las Vegas Convention Center South Hall.

Feb 14, 2006 “Other Digital Stuff: Expanding the In-Theatre Experience” Announces Content and Speaker Line-Up
Feb 2, 2006 “Other Digital Stuff: Expanding the In-Theatre Experience” Launched By Entertainment Technology Center at USC
More Infocomm Development Authority News:
Jul 29, 2008 Jim Gianopulos and Jeffrey Katzenberg to Join 3DX: 3D Film & Entertainment Technology Festival Special Guest: James Cameron
Mar 1, 2006 MediaCorp Technologies and China Film Digital collaborate on digital distribution of movies to make them available, in better quality and sooner to Asian audiences.
Jun 16, 2005 Singapore’s Digital Exchange Offers Commercial Services for Digital Processing, Distribution and Management of Digital Content

Nov 19, 2003 IDA & the MDA jointly develop Singapore’s Digital Cinema Industry
GDC Technology Limited Logo
The Infocomm Development Authority of Singapore (IDA) and the Media Development Authority of Singapore (MDA) are collaborating to develop the Digital Cinema industry in Singapore, riding on the combined strengths of both agencies. IDA’s efforts in building capabilities and capacity in processing, management and distribution of digital content complements MDA’s efforts in nurturing content development. Together, both agencies will ensure a complete pull-through from content creation to exhibition in the Digital Cinema space.
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